A270
Multitrack Studio Techniques I
Fall 2009
| Instructor:
Michael Stucker Email: mstucker@indiana.edu Office: M254 (inside M257) Office Phone: 856-4987 Office Hours: available by appointment |
Class meeting
times: Monday 2:30-3:20pm Class meeting place: MC327 Lab Meeting time: Wed 6-10pm Lab Meeting place: MC327 and MC405 Section numbers: 4918 and 7685 |
This Syllabus may be updated
throughout the semester. For updates check in at the course webpage:
http://www.music.indiana.edu/som/audio/Academic/A270/A270_Syllabus.html
Suggested Text: The Mixing Engineer’s Handbook, Bobby Owinski ISBN 0-87288-723-5
Grading:
80%-projects, Practical Tests, and listening assignments (see below for breakdown)
20%-class/session participation and attendance
Project and practical test grades will be available through the Oncourse
gradebook.
In order to receive a passing grade in the course ALL
assignments must be finished and turned in before 5pm (EST)Friday December 12.
There will not be a final exam for this course
Pre-requisites: A102 is required prior to taking A270
Class
Objectives:
-encourage students to listen intently and describe what they hear verbally
-students will build a mix in stages, adding tools/techniques as they are
discussed in class
-studio recording will be discussed and basic methods demonstrated
The
scheduled class time will involve demo recording/mixing sessions, lecture,
and individual student time with instructor. When individual student with
instructor time is scheduled each student will have a 20-minute time-slot
to reset, play back their mix and get instructor feedback. Students not
in
327 with the instructor will have projects to do in 405. At all times, other
than the individual time when the student is not scheduled. Every student
is expected to be in class! Absences for
Project
Materials:
>Each student will need to provide CD-R’s for assignments. CD-RW’s are
not acceptable.
>Each group of students for the “Group Sessions” will need a DVD-R or
Firewire hard drive to save their session for later use.
Project
Grading:
1-Projects turned in on CD must be neatly labeled with CD
label template to be accepted for grading. If the labeling is not correct
on the due date, they can be turned in after and counted as late. Late projects
will lose a letter grade (10 points) per week that they are late.
2- Mixing Projects from Pro Tools sessions must be saved as follows:
- Each student will create a folder named with their first and last name inside
the A270 folder on the MC327 Pro Tools 1 drive .
- Each session must be saved inside this folder.
- These sessions must be named as "ProjectName_StudentName". Project name will be something like "LevelPanMix", then add your first and last
name.
-Sessions not labeled properly will not be graded until the labeling is corrected.
These will then be counted as late. Late projects will lose a letter grade
(10 points) per week that they are late.
3-Assignments are due on the date listed. I will try to give reminders in
class, but you are responsible for all assignments even if reminders are not
given.
4-Start IDs/Index points must be set to the start of audio (within 1 second).
There MUST be at least 2 seconds of silence between audio selections. Selections
that are cut off at the beginning or end will lose points. For short excerpts
the audio should be faded in starting at or just after the start ID and faded
out after the relevant audio has played.
5- LISTEN to your CD BEFORE you turn it in! Skip to the start of each ID to
make sure that audio is not cut off and the IDs/track numbers are in the correct
place.
6- In order to receive a passing grade in the course ALL assignments must
be finished and turned in.
Listening:
Throughout the semester listening assignment will be due and the
provided worksheet must be used. For most of these
the song choice will be left up to the student. As weeks pass the forms should
contain more detail as techniques are covered in class. Worksheets
are provided for each assignment and change over time. There will also be
a song provided by the instructor for listening
in 327, the “Critical Listening Assignment Worksheet” must be used for this.
All of these worksheets are available for download below.
Two Presentations will be due during the semester. These are similar
to the other listening assignments but students will bring the recordings
to class to play and discuss. Use the provided Presentation Assignment sheets
for these. Downloaded or copied CDs may violate copyright laws and are NOT
acceptable; if you have questions speak to the instructor prior to the class
meeting. Students bringing these will be given NO credit for the assignment.
Mixing
Assignments (Level/Pan Mix, EQ Mix, Dynamics Mix, FX Mix, and Final
Mix)
Students will choose
from a number of songs that are saved as Pro Tools sessions in MC327. There
will also be a CD of mixes of these songs to help you choose and reference
as
you are
mixing. Once
you have chosen a song, pick a CD from your collection to bring and reference
as
you are mixing.
Use this to help define how "bright" or "dark" your mix is. It will also
help you define how your ears are changing as mixing time passes. Bring
this CD on assignment due dates as well.
Individual and
Practical Test times |
|
6:00 |
Kyle Zucker |
6:20 |
Matt Holmes |
6:40 |
Ari Kaplan |
| 7:00 | Robbi Rossman |
7:20 |
Kevin Ivester |
7:40 |
Ethan Sherry |
8:00 |
Ran Deng |
8:20 |
Hank Powell |
9:00 |
Beck Muth |
| 9:20 | Ian Hansen |
9:40 |
Joe Mac! |
| Week | Monday Date | Monday | Wednesday | Projects/Homework Due |
1 |
Aug 31 | Class intro, Listening | 405 Basics, Neotek block diagram | Presentation #1 (Sept 2) |
2 |
Sept 7 |
Pro Tools Basics, Starting a Mix | Demo Session at Echo Park Studios with Busted Creek | |
3 |
Sept 14 |
EQ Basics | Level/ Pan Mix | Listening
#1 (Sept 14), |
| 4 |
Sept 21 |
Using EQ, listen to examples, Routing | Recording in 405 | EQ Exercise
(Sept 21), |
5 |
Sept 28 |
Dynamics Basics | EQ Mix/ Practice 405 test |
Listening
#2 (Sept 28) EQ Mix (Sept 30) |
6 |
Oct 5 |
Burning CDs | 405
Practical Test Wed October 7 |
Dynamics Exercise (Oct 7) |
|
7 |
Oct 12 |
No Class (AES) | Working in 405, headphones and punching | Listening
#3 (Oct 14), |
8 |
Oct 19 |
FX Basics, Burning CDs, prep for session | Dynamics Mix/ Practice Overdub Practical | Dynamics Mix (Oct 21) |
9 |
Oct 26 |
Using FX, go over Country research | Demo session in 405 with Busted Creek | Listening #4 (Oct 26) |
10 |
Nov 2 |
Country Research, Review Group A plan | Overdub Practical Test November 4 | Country
Research (Nov 2) PT Record Assignment (Nov 4) FX Mix (Nov 4) |
11 |
Nov 9 |
Review Group B plan | Group Session A: Robbie, Ian, Ari, Hank | |
12 |
Nov 16 |
Review Group C plan and Group B session | Group Session B: Ethan, Kyle, Matt | |
13 |
Nov 23 |
THANKSGIVING BREAK (no A270 at all) | ||
| 14 |
Nov 30 |
Presentation and Paper: | Group Session C: Ran, Becs, Joe | Presentation and Paper (Nov 30) |
|
15 |
Dec 7 |
Presentation and Paper: | Listen to Session Mixes, Eat Pizza | Presentation
and Paper (Dec 7) Session Mix (Dec 9) Final Mix (Dec 9), Sound Alike Mix (Dec 9) |
16 |
Dec 14 | No
Final Exam for A270, however: |
||
| Due Date |
Assignment |
% of grade |
Description |
| Sept 2 | 3 |
Choose a song (on CD) listen and fill out Presentation #1 form. Bring to class, play and talk about arrangement and production. |
|
| Sept 14 | Listening #1 | 2 |
Choose recording, listen, and fill out form |
| Sept 16 | 4 |
Choose from instructor provided Pro Tools sessions and mix using only levels and pans. Sessions must be stored as instructed on Syllabus. Choose a commercially released CD to use as a reference while you are mixing, bring this with your mix. |
|
| Sept 21 | 2 |
-Open
the EQ excercise session in the A270 folder on the Pro Tools 1 drive
in 327. |
|
| Sept 28 | Listening #2 | 2 |
Choose recording, listen, and fill out form |
| Sept 30 | 4 |
Add EQ to Level/Pan mix, save to a new Pro Tools session named "EQMix_StudentName" |
|
| Oct 7 | 5 |
Be able to setup a condenser microphone and get sound to Pro Tools, then back to console. Each student will have to demonstrate this to the instructor on their own. Each student will be limited to 15 minutes. |
|
| Oct 7 | 2 |
-Open
the Dynamics excercise session in the A270 folder on the Pro Tools
1 drive in 327. |
|
| Oct 21 | 4 |
Add Dynamics to EQ mix, save to a new Pro Tools session named "DynamicsMix_StudentName" |
|
| Oct 26 | Listening #4 | 2 |
Choose recording, listen, and fill out form |
| Nov 4 | 2 |
Students will pair up and record a tamborine track to the session provided. This may be done in 327 or 405. The tambourine will be provided. Each student must both record and play tamourine. |
|
| Nov 4 | 5 |
Students will be given 15 minutes to record an overdub with a musician provided by instructor. The signal chain will already be set up. Student will be required to create a usuable headphone mix, record an overdub and do punch-ins. The studio will be available October 18 for practicing. |
|
| Nov 2 | 5 |
You
will need to research and quantify what modern Country Music sounds
like. Focus on things that you as an engineer will be able to control.You
should have at least of page of written notes with no less than 5
audio examples. You must be able to discuss in class what you have
heard and how that would affect your session planning. |
|
| Nov 4 | 4 |
Add Effects to Dynamics mix. save to a new Pro Tools session named "FXMix_StudentName" |
|
| Nov 9, 16, or 30 | Group Session |
15 |
Class will be split into 3 groups. Each group will be assigned a class night in 405. Each group will be responsible for finding a band to record. The band must have drums, bass, guitar and vocals. Variations from this instrumentation must be approved with the instructor. |
| Nov 30 or Dec 7 | 4 |
Research a Producer or Engineer and prepare a 10 minute presentation for the class. This will include at least 3 listening examples. You will give the presentation to the class and turn in a 2-3 page paper. (see Presentation and Paper explanation) |
|
| Dec 9 | Session Mix | 4 |
Each student will mix their group session recording and burn to CD |
| Dec 9 | 4 |
Adjust FX Mix as you wish, burn to CD to turn in. |
|
| Dec 9 | 5 |
Pick one of the sessions that you were not mixing for the Level/pan, etc. mixes. Use the CD in 327 as a guide and create a mix that is as close to the one on the CD as possible. Save the session in 327 and burn to CD and turn in. |
|