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T658 Fall 2008Interpretive Turns: Music and Cultural Studies (3 cr.)Prof. M. Kielian-Gilbert 2:30-3:45p.m. TR Music and Cultural Studies, a seminar in music analysis, will examine practices of music listening, analysis, and interpretation (critical theory, feminist theory) to experience music as expressive of different social-cultural contexts of reception (and vice versa). We will consider how social-cultural aspects of subjectivity (gender, sexuality, voice, identity, and the body) may implicate or be implicated in various musical practices and in the analyses that seek to characterize those practices. We will explore how practices of theory-based analysis can relate to, or interact with listener- or reception-oriented music criticism.
Coursework: readings, class discussion; short reaction papers or music analyses on issues arising in the
readings; major seminar paper and class presentation. Texts: Theodor W. Adorno. Essays on Music. Selected, with introduction, commentary, and notes by Richard Leppert. New translations by Susan H. Gillespie. Berkeley: University of California Press, 2002. Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translation and foreword by Brian Massumi. Minneapolis: University of Minnesota Press, 1987. Luce Irigaray. To Be Two. Trans. Monique M. Rhodes and Marco F. Cocito-Monoc. New York: Routledge, 2001 [1997]. (Later work; further exploration of the question of difference and alterity.) Graduate Music Theory Course Descriptions IU Theory Department Home Page |