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Sixteenth Biennial Symposium of
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| Home | Roster of Participants | Program of Activities | Travel & Accommodations |
Friday
| 2:00-3:00pm | Symposium Registration (Ford-Crawford Hall Lobby) |
| 3:00-3:15pm | Opening Remarks, Dean Gwyn Richards |
| 3:15-4:15pm | “Dividing Time, Across Time” |
| 4:15-4:30pm | Break |
| 4:30-5:30pm | “Under the Microscope” Session chair: Alissa Guntren, Indiana University Brent Yorgason, Marietta College. "Expressive Asynchrony in Romantic Piano Performance." Johanna Devaney, McGill University. “Intonational Tendencies in Solo A Cappella Vocal Performances.” |
| 5:30-7:30pm | Break for Dinner (at area restaurants) |
| 7:30-9:30pm | Keynote Session One Session chair: Mitch Ohriner, Indiana University Susan McClary, University of California, Los Angeles, “Adorno Plays the WTC: On Political Theory and Performance.” David Huron, Ohio State University, “Why is Rubato So Important?” |
| 9:30-11:00pm | Social Hour, Irish Lion (just west of Kirkwood and College Aves.) |
Saturday
| 8:00-9:00am | Continental Breakfast (Ford-Crawford Hall Lobby) |
| 9:00-10:30 | Session chair: Andreas Metz, Indiana University Gordon Sly, Michigan State University, and Sheryl Iott, Grand Rapids Community College and Interlochen Arts Camp. “Performance Questions and Analysis in Haydn’s Late F-minor Piano Variations.” Jennifer Sadoff Auerbach, University of Texas at Arlington. “The Urlinie and Fugue Analysis and Performance: An Omitted Passage from Der freie Satz.” Mike Lee, Cornell University. "How metrical shifts shape large-scale formal narrative and encroach on the concept of tempo unity in the performance and analysis of Schubert's sonata in A-minor, Op. 42." |
| 10:30-10:45 | Break |
| 10:45-12:15 | “Performance as Identity” Session chair: Trina Thompson, Indiana University Victoria Tzotzkova, Columbia University. “Identifying with a Piece of Music in Performance and in Analysis; or, In Search of the Interpretation.” John Pippen, University of Tennessee. “Performing Innovation: New Music Ensembles and the Production of Culture.” Timothy Best, Indiana University. "On the Relationship between Analysis and Performance in Atonal Music." |
| 12:30-1:45 | Break for Lunch (at area restaurants) |
| 1:45-2:45 | “Real and Impossible Geometries” Session chair: Garrett Michaelsen, Indiana University Anna Gawboy, Yale University. “The Wheatstone Concertina and Symmetrical Arrangements of Tonal Space.” Ivan Jimenez, University of Pittsburgh. “A Comparison of Different Performances of Ligeti’s Piano Concerto Through the Lenses of Escher’s Works.” |
| 2:45-3:45 | Panel Discussion Moderator: Roman Ivanovitch, Indiana University |
| 3:45-4:15 | Reception (Ford-Crawford Hall Lobby) |
| 4:15-6:15 | Keynote Session Two Session chair: William Guerin, Indiana University Daphne Leong, University of Colorado at Boulder, “Between Structure and Sound: Realizing Rhythm at the Center of Bartók's Fifth String Quartet." Carl Schachter, Mannes College of Music “Making Music Speak Clearly: The Analysis of Phrase Structure and Phrase Rhythm as a Guide to Performance.” |
| 6:15-8:00 | Break for Dinner (at area restaurants) |
| 8:00-9:00 | Symposium Concert |
If you would like more information about the Graduate Theory Association, send an e-mail to our president, Mitch Ohriner (mohriner @ indiana.edu)or directly to the Graduate Theory Association (gta @ indiana.edu). Website comments: (mustheor @ indiana.edu)
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