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Welcome!
The Multimedia Music Theory Teaching (MMTT) Project is part of "Creating
the Digital Music Library," a larger project funded by a $3 million grant from the National
Science Foundation and the National Endowment
for the Humanities through the Digital
Libraries Initiative Phase II.
Follow the links at the left of the screen for information on the project. Please
note that all of this information should be considered to be incomplete and/or in draft form and subject to
change. Items shown in RED are known to be incomplete,
though not all incomplete items are yet shown in red.
Background
The Multimedia Music Theory Teaching Project was conceived in the Summer of 1995 in
anticipation of the opportunities new technologies would offer to enhance both the ways
students learn and how teachers teach music theory. These opportunities surrounded
the opening in January 1996 of the Bess Meshulam Simon Music Library and Recital Center at
Indiana University. The key elements of this facility with respect to this project
include:
- The William and Gayle Cook Music
Library, including
- The VARIATIONS Project. A
central feature of the Music Library, the Variations Project delivers CD-quality digital audio over a computer network to computers in the music
library and classrooms, initially within the Simon Center.
- Three Student Technology Centers operated by University
Information Technology Services and located within the Cook Music
Library: M373:
a 30-station (15 PCs, 15 Macs) classroom/cluster , M160:
a 37-station Windows cluster located on the main floor, and M360,
a 73-station (52 Windows, 21 Mac) cluster located on the third floor. All computers in both facilities include a full
complement of standard and music-specific software, and serve as the primary listening
stations for School of Music students through the Variations Project.
- Sweeney Lecture Hall, a 200-seat auditorium equipped with Macintosh and Windows
computers and three high-resolution, ceiling-mounted projectors. This room is used
to teach many music theory and aural skills courses in the School of Music.
- Three
seminar rooms in the Cook Music Library, which are equipped with computer
workstations. Other classrooms in the Simon Building, will be equipped with computer
workstations at a later time.
This technology provides the opportunity for innovative teaching and learning. The MMTT project is aimed at faculty who wish to:
- Teach in technology-equipped classrooms using discipline-aware software.
A typical music theory class involves a presentation that includes text, sound,
annotated music notation, and other graphical representations of music. Commercially
available software can handle one, two, or even three of these, but not all four, and even
then not always very gracefully. Furthermore, these components need to be accessible
in real-time--for example, the instructor may need to be able to edit the music notation during
a presentation, or to link the elements of a formal diagram to an associated
audio stream so that
clicking on one section plays it.
- Create new types of interactive, literature-based, aural analysis activities for
students. Existing aural skills software (including our own ETDrill) drills students
on isolated musical elements--intervals, chords, short melodies, or harmonic progressions,
and doesn't develop their ability to deal with "real" music. We often
spend, for very practical reasons, far less time than we would like developing in our
students the ability to listen critically to musical elements in their full
context.
The goal of the MMTT Project is to create an authoring environment which will allow the
faculty to do these things.
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