Courses
Current & Future Music
Theory Course Offerings
Undergraduate
Summer 2013 (second eight-week session: June 3–July 26)
- T232 Musical Skills III (Chaloux)
- T331 Musical Skills IV (Matava)
- T351 Music Theory & Literature V (Ivanovitch)
- T351 Music Theory & Literature V (Chilla)
- T410 Topics in Music Theory: Sonata Form (Ivanovitch)
Fall 2013
- T109 Rudiments of Music (Jedlicka)
- T132 Musical Skills I (Blustein)
- T151 Music Theory & Literature I (Horlacher)
- T231 Musical Skills II (Rudy)
- T232 Musical Skills III (Chaloux)
- T251 Music Theory & Literature III (Samarotto)
- T261 Music Theory & Literature III Honors (Samarotto/Bauchat, Boyle)
- T331 Musical Skills IV (Matava)
- T351 Music Theory & Literature V (Kielian-Gilbert)
- T351 Music Theory & Literature V (Mead)
- T361 Music Theory & Literature V Honors (Hook)
- T410 Topics in Music Theory: The Classical Concerto (Ivanovitch)
- T410 Topics in Music Theory: Music and Mind (Tan)
Spring 2014 (tentative)
- T109 Rudiments of Music (Jedlicka)
- T132 Musical Skills I (Blustein)
- T152 Music Theory & Literature II (Mead)
- T231 Musical Skills II (Rudy)
- T232 Musical Skills III (Chaloux)
- T252 Music Theory & Literature IV (Johnston)
- T262 Music Theory & Literture IV Honors (Johnston/Bauchat, Boyle)
- T331 Musical Skills IV (Matava)
- T351 Music Theory & Literature V (Tan)
- T410 Topics in Music Theory: Analyzing Baroque Music (Brody)
Summer 2014 (tentative)
- T232 Musical Skills III
- T331 Musical Skills IV
- T351 Music Theory & Literature V
Graduate
Summer 2013 (second eight-week session: June 3–July 26)
- T508 Written Theory Review for Graduate Students (Adams)
- T509 Sight Singing Review for Graduate Students (Adams)
- T551 Analytical Techniques for Tonal Music (Samarotto)
- T658 Seminar: Special Topics in Schenkerian Analysis (Samarotto)
Fall 2013
- T508 Written Theory Review for Graduate Students (Tan)
- T509 Sight Singing Review for Graduate Students (Adams)
- T545 Introductory Analysis of Music Literature (Johnston)
- T551 Analytical Techniques for Tonal Music (Samarotto)
- T556 Analysis of Music Since 1900 (Johnston)
- T561 20th/21st-Century Dramatic Works (Kielian-Gilbert)
- T561 Wagner Operas: Tristan and The Ring (Brody)
- T565 Stylistic Counterpoint: 18th Century (Ivanovitch)
- T591 Teaching of Music Theory (Isaacson)
- T623 History of Music Theory I (Adams)
- T658 Seminar: Schoenberg, Webern, and Babbitt (Mead)
Spring 2014 (tentative)
- T511 Aural Theory Review for Graduate Students (Brody)
- T545 Introductory Analysis of Music Literature (Ivanovitch)
- T550 Readings in Music Theory (Kielian-Gilbert)
- T551 Analytical Techniques for Tonal Music (Ivanovitch)
- T555 Schenkerian Analysis (Samarotto)
- T556 Analysis of Music Since 1900 (Kielian-Gilbert)
- T561 Music Theory, Variable Topics: The Symphony after 1920 (Johnston)
- T565 Stylistic Counterpoint: 16th Century (Adams)
- T591 Teaching of Music Theory (Adams)
- T624 History of Music Theory II (Samarotto)
- T658 Seminar: Theories of Rhythm and Meter (Horlacher)
- T658 Seminar: Visualizing Music (Isaacson)
