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Allen, Ray, and Lois Wilcken. Island Sounds in the Global City: Caribbean Popular Music and Identity in New York. Urbana: University of Illinois Press, 2001. [ML3477.1 .I85]

Averill, Gage. A Day For the Hunter, A Day For the Prey: Popular Music and Power in Haiti. Chicago: University of Chicago Press, 1997. [Wells Library (Folklore Collection) ML3486.H3 A94 1997]

Baker, Geoffrey. Imposing Harmony: Music and Society in Colonial Cuzco. Durham: Duke University Press, 2008. [ML236.8.C92 B3]

Balen, Noel. Música Cubana. Paris: Fayard, 2006. [ML207.C8 B34]

Béhague, Gerard. The Beginnings of Musical Nationalism in Brazil. Detroit, Information Coordinators, 1971. [ML232 .B419]

Béhague, Gerard H. "Patterns of Candomblé Music Performance: An Afro-Brazilian Religious Setting." In Performance Practice: Ethnomusicological Perspectives, ed. Gerard Béhague. Westport, Conn.: Greenwood Press, 1984. [ML3799 .P47]

Best, Curwen. Culture @ The Cutting Edge: Tracking Caribbean Popular Music. Kingston, Jamaica: University of the West Indies Press, 2004. [(Frontlog Books) 6089972]

Borges Triana, Joaquín. Concierto cubano: la vida es un divino guión. Barcelona: Linkgua Ediciones, 2009. [ML3486.C8 B67]

Bigenho, Michelle. Sounding Indigenous: Authenticity in Bolivian Music Performance. New York: Palgrave, 2002. [ML239.B6 B54]

Cardoso, André. A música na Capela Real e Imperial do Rio de Janeiro. Rio de Janeiro: Academia Brasileira de Música, 2005. [ML3017.B8 C37]

Carpentier, Alejo. Music in Cuba. Edited and with an introduction by Timothy Brennan: translated by Alan West-Durán. Minneapolis: University of Minnesota Press, 2001. [ML207.C8 C313]

Castillo Ponce, Gonzalo de J. El pensamiento sinfónico en México. México, D. F. : Universidad de Autónoma de Zacatecas: Programa Integral de Fortalecimiento Institucional: Plaza y Valdés, 2007. [ML1255 .C37]

Cepeda, María Helena. Musical ImagiNation: U.S.-Colombian Identity and the Latin Music Boom. New York: New York University Press, 2010. [ML3917.U6 C46]

Crook, Larry. Focus: Music of Northeast Brazil. New York: Routledge, 2009. [ML3487.B7 C76 2009]

Crook, Larry. Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern Nation. Santa Barbara: ABC-CLIO, 2005. [ML3487.B7 C76 Text]

Davis, Darién J. White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil. East Lansing: Michigan State University Press, 2009. [ML3487.B7 D38 2008]

Díaz Ayala, Cristóbal. Los contrapuntos de la música cubana. San Juan: Ediciones Callejón, 2006. [ML207.C8 D49 2006]

Díaz Ayala, Cristóbal. Música cubana: del areyto al rap cubano. San Juan: Fundación Musicalia, 2003. [ML207.C8 D52 2003]

Feldman, Heidi Carolyn. Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middletown: Wesleyan University Press, 2006. [ML3575.P4 F45]

Fryer, Peter. Rhythms of Resistance: African Musical Heritage in Brazil. [Middletown, Conn.]: Wesleyan University Press: Hanover, NH: University Press of New England, 2000. [ML232.9 .F79]

Galinsky, Philip. “Maracatu Atômico”: Tradition, Modernity, and Postmodernity in the Mangue Movement of Recife, Brazil. New York: Routledge, 2002. [Wells Library (Folklore Collection) ML3487.B78 R43 2002]

Garramuño, Florencia. Modernidades primitivas: tango, samba y nación. Buenos Aires: Fondo de Cultura Económica de Argentina, 2007. [ML3465 .G37]

Guilbault, Jocelyne, with Gage Averill, Édouard Benoit, Gregory Rabess. Zouk: World Music in the West Indies. Chicago: University of Chicago Press, 1993. [ML3485.5 .G84 1993 Text]

Guilbault, Jocelyne. Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics. Chicago: University of Chicago Press, 2007. [ML3486.T7 G85 Text]

González Rodríguez, Juan Pablo. Historia  social de la musica popular  en Chile, 1890-1950. Santiago, Chile: Ediciones Universidad Católica de Chile, 2005. [ML3917.C5 G66]

Green, Garth L. & Philip W. Scher, eds. Trinidad Carnival: The Cultural Politics of a Transnational Festival. Bloomington: Indiana University Press, 2007.

Hill, Donald R. Calypso Calaloo: Early Carnival Music in Trinidad. Gainesville: University Press of Florida, c1993. [ML3565 .H54 1993]

Hope, Donna P. Inna Di Dancehall: Popular Culture and The Politics of Identity in Jamaica. Mona, Jamaica: University of the West Indies Press, 2006. [ML3486.J3 H66]

Jáuregui, Jesús. El mariachi: símbolo musical de México. México, D.F.: Instituto Nacional de Antropología e Historia: Consejo Nacional para la Cultura y las Artes : Taurus, 2007. [ML3570 .J37]

Laferl, Christopher F. “Record It, And Let It Be Known”: Song Lyrics, Gender and Ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960. Vienna: LIT, 2005. [(Frontlog Books) 6409107 Text]

Lane, Jill. Blackface Cuba: 1840-1895. Philadelphia: University of Pennsylvania Press, 2005.

Lapidus, Benjamin J. Origins of Cuban Music and Dance: Changüí. Lanham: Scarecrow Press, 2008. [ML3486.C8 L25]

Largey, Michael D. Vodou Nation: Haitian Art Music and Cultural Nationalism. Chicago, Chicago University Press: 2006. [ML3565 .L35]

Lehnhoff, Dieter. Creacion musical  en Guatemala. Guatemala: Universidad Rafael Landívar: Editorial Galeria Guatemala, 2005. [ML223 .L45]

López Castro, Gustavo. Música sin fronteras: ensayos sobre migración, música e identidad. México, D.F.: Direccíon General de Culturas Populares e Indígenas, 2006. [ML210 .M89]

Lowinger, Rosa, and Ofelia Fox. Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub. Orlando, Fla.: Harcourt, 2005. [PN1968.C9 L68]

Loza, Steven. Joseph. Barrio Rhythm: Mexican American Music in Los Angeles. Urbana: University of Illinois Press, 1993. [Wells Library, Undergraduate Services ML3558 .L69 1993]

Lozano, Tomás. Cantemos al alba: Origins of Songs, Sounds, and Liturgical Drama of Hispanic New Mexico. Albuquerque: University of New Mexico Press, 2007. [ML200.7.N57 L69 Text]

Madrid-González, Alejandro. Sounds of the Modern Nation: Music, Culture and Ideas in Post-Revolutionary Mexico. Philadelphia: Temple University Press, 2008. [ML210.5 .M23]

Manuel, Peter Lamarche. East Indian Music in the West Indies: Tan-Singing, Chutney, and the Making of Indo-Caribbean Culture. Philadelphia: Temple University Press, 2000. [ML3565 .M37 2000]

Manuel, Peter Lamarche, ed. Essays on Cuban Music: North American and Cuban Perspectives. Lanham, Md.: University Press of America, 1991. [ML480.L21 E8]

Manzo Robledo, Francisco. Del romance español al narcocorrido mexicano. México: Libros Para Todos, 2007. [ML3570 .M26]

McAlister, Elizabeth A. Rara!: Vodou, Power, and Performance in Haiti and Its Diaspora. Berkeley: University of California Press, 2002. [Wells Library (Folklore Collection) ML3565 .M384 2002]

McCann, Bryan. Hello, Hello Brazil: Popular Music in the Making of Modern Brazil. Durham, Duke University Press, 2004. [ML3487.B7 M39]

McGowan, Chris. The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil. Philadelphia: Temple University Press, 2009. [ML3487.B7 M4 2009]

Mendoza de Arce, Daniel. Music in North America and the West Indies from the Discovery to 1850: A Historical Survey. Lanham: Scarecrow Press, 2006. [ML198 .M47]

Moore, Robin. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940. Pittsburgh: University of Pittsburgh Press, 1997. [ML3486.C8 M66]

Moore, Robin. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley: University of California Press, 2006. [ML3917.C9 M66]

Murphy, John P. Music in Brazil: Experiencing Music, Expressing Culture. New York : Oxford University Press, 2006. [ML3487.B7 M85]

Myers, Helen. Music of Hindu Trinidad: Songs from the India Diaspora. Chicago: University of Chicago Press, 1998. [ML3565 .M94 1998 Text]

Navarrete Pellicer, Sergio. Maya Achi Marimba Music in Guatemala. Philadelphia: Temple University Press, 2005. [ML3572.G9 N38 Text]

Nicolau, Michel. Música brasileira e identidade nacional na mundialização. Sao Paulo: AnnaBlume, 2009. [ML3487.B7 N45]

Olsen, Dale A. The Chrysanthemum and the Song: Music, Memory, and Identity in the South American Japanese Diaspora. Gainesville: University Press of Florida, 2004. [ML230 .O47]

Olsen, Dale A., ed. Music of El Dorado: The Ethnomusicology of Ancient South American Cultures. Gainesville: University Press of Florida, 2002. [Wells Library (Folklore Collection) ML3575.A2 O57 2002]

Olsen, Dale A., ed. Music of the Warao of Venezuela: Song People of the Rain Forest. Gainesville: University Press of Florida, 1996. [Wells Library (B-WELLS) ML3575.V3 O47 1996]

Pedelty, Mark. Musical Ritual in Mexico City: From the Aztec to NAFTA. Austin: University of Texas Press, 2004. [ML210.8.M42 P43]

Pereira, Avelino Romero. Música, sociedade e política: Alberto Nepomuceno e a república musical. Rio de Janeiro: Editora UFRJ, 2007. [ML410.N397 P47]

Perrone, Charles A., and Christopher Dunn, eds. Brazilian Popular Music & Globalization. Gainesville: University Press of Florida, 2001. [ML3487.B7 B76]

Ramnarine, Tina K. Creating Their Own Space: The Development of an Indian-Caribbean Musical Tradition. Kingston, Jamaica: University of the West Indies Press, 2001. [ML3565 .R36]

Regis, Louis. The Political Calypso: True Opposition in Trinidad and Tabago, 1962-1987. Barbados: Press University of the West Indies: Gainesville, FL: University Press of Florida, 1999. [Wells Library (Folklore Collection) ML3565 .R46 1998 1999]

Roberts, John Storm. Black Music of Two Worlds: African, Caribbean, Latin, and African-American Traditions. New York: Schirmer Books; London: Prentice Hall international, 1999. [ML3556 .R645 1998]

Robinson, Eugene. Last Dance in Havana: The Final Days of Fidel and the Start of the New Cuban Revolution. New York: Free Press, 2004. [ML3486.C8 R63]

Rodríguez Juliá, Edgardo. Cortijo’s Wake (El entierro de Cortijo). Translated and with an introduction by Juan Flores. Durham: Duke University Press, 2004. [ML410.C788 R63]

Romero, Raúl R. Debating the Past: Music, Memory, and Identity in the Andes. New York: Oxford University Press, 2001. [Wells Library (Folklore Collection) ML236 .R66 2001]

Rommen, Timothy. “Mek Some Noise”: Gospel Music and the Ethics of Style in Trinidad. Berkleley: University of California Press ; Chicago: Center for Black Music Research, Columbia College, 2007. [ML3187 .R66]

Quezada Macchiavello, José. El legado musical del Cusco Barroco: estudio y catálogo de los manuscritos de música del Seminario San Antonio de Abad del Cusco. Lima: Fondo Editorial del Congreso del Perú, 2004. [Reference, ML93 .Q49]

Sampaio, João Luiz. Ópera à brasileira. São Paulo: Algol Editora, 2009. [ML1717.B8 O64]

Seeger, Anthony. Nature and Society in Central Brazil: The Suyá Indians of Mato Grosso. Cambridge, Mass.: Harvard University Press, 1981. [Main Library F2520.1.S89 S43]

Seeger, Anthony. Why Suyá Sing: A Musical Anthropology of an Amazonian People. Cambridge: Cambridge University Press, 1987. [ML3575.B7 S36 1987]

Sherzer, Joel, ed. Stories, Myths, Chants, and Songs of the Kuna Indians. Illustrated by Olokwagdi de Akwanusadup ; photographs by Joel Sherzer. Austin: University of Texas Press: Teresa Lozano Long Institute of Latin American Studies, 2003. [Wells Library (Folklore Collection) F1565.2.C8 S77 2003]

Stevenson, Robert Murrell. Christmas Music from Baroque Mexico. Berkeley: University of California Press, 1974. [ML210.2 .S848]

Stevenson, Robert Murrell. Music in Aztec and Inca Territory. Berkeley, University of California Press, 1968. [ML3549 .S848]

Stevenson, Robert Murrell. Music in Mexico: A Historical Survey. New York: Crowell, 1971. [ML210 .S8 1971]

Stevenson, Robert Murrell. The Music of Peru: Aboriginal and Viceroyal Epochs. Washington, Pan American Union, 1960. [ML236 .S84]

Stobart, Henry. Music and the Poetics of Production in the Bolivian Andes. Burlington, VT : Ashgate, 2006. [ML3575.B6 S76]

Suárez Uturbey, Pola. Antecedentes de la musicología en la Argentina: documentación y exegesis. Buenos Aires:Editorial de la Universidad Católica Argentina, 2007. [ML3797.2.A7 S83]

Sweeney, Philip. The Rough Guide to Cuban Music. London: Rough Guides, 2001. [ML3486.C8 S94]

Tomlinson, Gary. The Singing of the New World: Indigenous Voice in the Era of European Contact. Cambridge, UK ; New York: Cambridge University Press, 2007. [ML3575.A2 T66]

Villaça, Mariana Martins. Polifonia tropical: experimentalismo e engajamento na música popular (Brasil e Cuba, 1967-1972). São Paulo: Humanitas: FFLCH: USP, 2004. [ML3575.B7 V55]

Wade, Peter. Music, Race, and Nation: Música Tropical in Colombia. Chicago: University of Chicago Press, 2000. [Wells Library (Reserves) ML3487.C7 W33 2000]

Waxer, Lise. The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia. Middleton, Con.: Wesleyan University Press, 2002. [ML3918.S26 W38]