Tanguero Summer Workshop and Academy
July 24-30, 2016
Indiana University and the Tanguero Workshop and Academy welcome everyone.
“Indiana University will recruit, hire, promote, educate and provide services to persons without regard to their age, race, disability, ethnicity, gender, gender identity, marital status, national origin, religion, sexual orientation or veteran status. Equally importantly, we will not tolerate discrimination on the basis of any of these same factors.” - Indiana University President Michael A. McRobbie, March 29, 2015 [read more]
The Tanguero Workshop and Academy at Indiana University brings together students and renowned Argentine Tango professionals from around the globe for an immersive educational experience at one of the world's top music schools.
Participants have the opportunity to attend unique classes in instrumental techniques, arranging, and performance practice, while rehearsing and performing major tango repertoire in orchestra tipicas and chamber ensembles.
The Tanguero Workshop welcomes people new to tango music as well as seasoned professionals wishing to take their performance to a new level. Each day, Cuarteto Tanguero and our guest lecturers work with participants in lectures, small ensemble coachings, orchestra tipica rehearsals, master classes and a variety of community activities providing a diverse immersion in tango music, dance, culture, and history--past and present.
For both Adult and Youth (ages 12 and up) Bandoneonistas, Violinists, Violists, Cellists, Bassists, and Pianists.
Featured Guest Lecturers
Argentine born Pablo Aslan is in demand for his skills as a producer and as bassist, and his knowledge of traditional and contemporary tango. He created Avantango in 1994 to explore the fusion of tango and jazz, and has since become a pioneering figure in the jazz-tango movement.
His most recent CD is "Piazzolla in Brooklyn" (Soundbrush Records 2011), a tribute to the late Nuevo Tango master. In it, he recreates Piazzolla’s 1959 Jazz Tango experiment “Take Me Dancing” with his Buenos Aires based quintet, including Piazzolla’s grandson on drums. His CD "Tango Grill" (Zoho Music 2010) was nominated for a 2010 Latin Grammy Award for Best Tango Album and a Grammy for Best Latin Jazz Album.
One of the most prominent tango artists in Argentina today, Julian is a sought after musician and lecturer on Argentine Tango in Argentina and Europe.
Peralta formed and directed several tango orchestras including Orquesta Tipica Fernandez Fierro and his current projects Astillero and Orquesta Típica Julián Peralta. He collaborated with artists such as Kenneth Branagh in the production Romeo and Juliet (original music and musical direction) and wrote “the book” on Tango, La Orquesta Típica. Mecánica y aplicación de los fundamentos técnicos del Tango.
Per Arne Glorvigen is among today’s foremost bandoneon players. His contact with this instrument began at the age of 25 when, after having finished the State Academy of Music in Oslo, he moved to Paris and met the Argentinian bandoneon maestro Juan José Mosalini.
After two years of studying with Mosalini and several stays in Buenos Aires, Glorvigen began his career as a professional bandoneonist.
In addition to playing tango, Glorvigen has expanded the repertoire of the bandoneon by playing everything from baroque, klezmer and pop and last but not least; contemporary music. The young composers Willem Jeths (Holland), Bernd Franke (Germany), Henrik Hellstenius (Norway) and Luis Naon (Argentina / France) have all dedicated concertos to Glorvigen.
His most important colleague has been violinist Gidon Kremer with whom he has recorded 4 CDs and played nearly one hundred concerts worldwide. He is currently studying in Paris with Eric Tanguy (composing) and Guillaume Conesson (orchestration).
He has recorded for the labels Auvidis, Nonesuch, Sony Classical, Teldec, EMI Classics and Deutsche Grammophon.
Musicians will be placed in ensembles based on a variety of factors including interest and ability. After registration you will be contacted by a staff member, and may be asked to participate in a short interview to assess your needs and to facilitate ensemble placement. For those registered by May 1, ensemble placements will be made and music will be distributed by May 15.
Features of the Program
Elements of Argentine Tango Performance: A participatory group class on specific performance practice elements of of various Tango orchestras.
Tango Arranging (elective): A hands on tango arranging course with opportunities to have your arrangements played by faculty and students.
Introduction to Tango dance for musicians (elective): Introduction to tango dance for musicians is a program designed to get you started in the basics of Argentine Tango dance. It will also give you insight into what to expect in a Milonga (the social dance event) either in Argentina or the US, and you might catch Ben dancing!
Bandoneón Practice Techniques: This class will contain specific techniques to get more out of every practice session.
Tango Orchestra: Everyone will play in an Orquesta Típica (Traditional Tango Orchestra). Styles and levels will vary by ensemble.
Chamber Music Ensembles (optional): Groups will be arranged according to individual playing level; every effort is made to arrange compatible groups. Performed ensembles may participate. Ensembles will receive daily coaching from faculty.
Faculty Recital: A concert performance of the Workshop faculty.
Movie Night: Part of learning the musical language is understanding the culture! We will have a movie night featuring an Argentine movie that relates to tango.