The quizzes in M542 are designed to prepare you for the major examinations.  While the Exams will involve more substantial and detailed treatment of the materials, the format of the quizzes will be consistent with portions of the Exams, in particular with regards to the Assigned Listening and Term identification.  A list of the Assigned Listening and Term/Name items for Quiz 1 appear below.  Please note that the listening list includes both NAWM and Supplemental Listening items.

Excerpts of several Assigned Listening items will be played (only once per excerpt).  For each, you will need to supply a correct and adequate identification of the excerpt, including:

• Composer
• last name only unless two or more composers of the same last name are represented, e.g., "Bach"
• Title
• enough to distinguish the work from other similar works--thus, Sammartini "Sinfonia in G" must be qualified with J-C 39 for a correct identification; Sammartini J-C 39 alone would also be sufficient
• Movement or Act and Scene, as appropriate
• for opera examples, you may supply either the title of the recit/aria or the Act and Scene from which the excerpt is drawn
• Date (+/- 5 yrs.)
• Grout/Palisca and NAWM will provide you with the dates for the Anthology excerpts.  Other dates can be obtained from the composer works lists in the New Grove Dictionary of Music and Musicians .

• A brief (1-2 sentence) definition
• A related composer or work (or other) as appropriate
• A relevant date (usually with regards to the composer or work)
• A brief (1-2 sentence) statement concerning the importance and/or significance of the Term

Assigned Listening:

• Pergolesi, La serva padrona, "Ah quanto mi sta male/Son imbroliato io" (NAWM 85; CD 7:1-6)
• Hasse, Cleofide: Act II, Sc. 9, "Digli ch'io son fedele" (NAWM 86; CD 7:7-11)
• G.B. Sammartini, Symphony in G Major, J-C 39, I-IV [ Score and recording on Personal Reserve CD-ROM "Week 1"]
• C. P. E. Bach, Sonata in A Major, H. 186, Wq. 55/4, II: Poco adagio (NAWM 91; CD 7:27-28)
• C. P. E. Bach, Sinfonia in E-flat Major, Wq. 179, I-III [ Score and recording on Personal Reserve CD-ROM "Week 1"]
• Haydn, Symphony No. 6 ("Le Matin"), I-IV [ Score and recording on Personal Reserve CD-ROM "Week 1"]
• Pergolesi, La serva padrona, "Ah quanto mi sta male/Son imbroliato io" (NAWM 85, CD 7:1-6)
• Hasse, Cleofide: Act II, Sc. 9, "Digli ch'io son fedele" (NAWM 86, CD 7:7-11)
• Gluck, Orfeo ed Euridice: Act II, Sc. 1 , excerpt (NAWM 88; CD 7:17-21)
• Mozart, Don Giovanni, Act I, scene 5, "Ah, chi mi dice mai" and "Madamina! Il catalogo è questo" (NAWM 100; CD 8:28-32)
• J. C. Bach, Concerto for Harpsichord or Piano and Strings, Op. 7, No. 5: I (NAWM 93; CD 7:34-46)
• Mozart, Piano Concerto in A Major, K. 488, I (NAWM 99; CD 8:12-27)
• Haydn, String Quartet Op. 33, no. 2, I-IV [Score and Recording on Personal Reserve CD "Week 2"]
• Haydn, Symphony 92, I-IV [ Score on Open Reserve; Recording: Personal Reserve CD-ROM "Week 2"]
• Beethoven, Piano Sonata, Op. 13, III (NAMW 101; CD 8:33-42)
• Beethoven, Symphony no. 3 in E-flat Major, I (NAWM 103; CD 8:52-66)
• Beethoven, String Quartet in C-sharp Minor, op. 131, I and II (NAWM 104; CD 8:67-70)
• Beethoven, Symphony No. 9 in D minor, “Choral," Op. 125, IV (Score: M1001 .B4 no. 9 1996; Recording: CD .B414 G1-14)

J. J. Quantz
Galant
Empfindsamkeit
Intermezzo
J. J. Rousseau
Reflections on the Imitations of Greek Works
Pietro Metastasio
Da capo aria
Charles Burney
Querelle des bouffons
Ensemble finale
Raniero de Calzabigi
Stile antico and moderno
Frederick II ("The Great")
H. C. Koch
Sturm und Drang
Mannheim
Eszterhàzà
Baryton
Hanover Rooms
Opera buffa
Opera seria
J. P. Salomon
Character Symphony
Learned Style
"Le matin"
"London Symphonies"
"A new and different way"
Baron Gottfried van Swieten
Singing allegro
"Haydn Quartets"
Cadenza
"Heiligenstadt Testament"
A. F. von Knigge