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In addition to music history and theory offered by the
Indiana University Jacobs School of
Music, the Early Music Institute offers a wide selection of
courses including Literature and Performance Practices of Medieval,
Renaissance and Baroque Music (3-course series); Continuo Readings and Performance; Playing and
Singing from Original Notation; Bibliography; Research in Early
Music (with changing topics) and Seminars. Please
contact us if you would like
further information regarding the Early Music Institute.
EMI Courses
M435/635 Performance practice before 1750 (North) / spring
M415/515 Interpretation of unaccompanied Bach (Ritchie) / fall, spring
M517 Medieval literature and performance practice (Gillespie) / odd year spring
M518 Renaissance literature and performance practice (Gillespie) / even year spring
M519 Baroque literature and performance practice (Legêne) / fall
M420/520 Classical literature and performance practice (McCraw) / spring
M558 Improvisation in early music (Legêne) / spring
M558 Topics in early music: baroque ornamentation (Legêne) / fall
M558 Practice reading early notation (Gillespie) / spring
M458/558 Topics in early music: historical instruments / fall, spring
F501 Accompaniment of baroque music (North and Wright) / fall
F502 Reading in basso continuo (Wright) / spring
F503 Advanced topics in basso continuo (North or Wright) / spring (dependent upon enrollment)
F520 Topics in performance study: baroque orchestra rep for winds (McCraw) / fall
F520 Topics in performance study: classical wind chamber music (McCraw) / fall
Degrees Offered
Click on
the program name below to view degree requirements. For detailed information and policies on all degree and certificate programs please refer to the JSoM Academic Bulletin.
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B.M., Early Music - Instrument Emphasis
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B.M., Early Music - Vocal Emphasis
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M.M., Early Music - Instrumental or Vocal Emphasis (2005)
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M.M., Early Music - Instrumental or Vocal Emphasis (2007-2009)
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M.M.,
Early Music - Keyboard/Plucked Instrument Emphasis (2005)
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M.M., Early Music - Keyboard/Plucked Instrument Emphasis (2007-2009)
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M.M.,
Early Music - Recorder Pedagogy Emphasis (2005)
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M.M., Early Music - Recorder Pedagogy Emphasis (2007-2009)
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D.M., Early Music - Ensemble Direction Emphasis* (2005)
*This option is no longer offered.
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D.M.,
Early Music - Instrumental/Vocal Emphasis (2005)
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D.M., Early Music - Instrumental/Vocal Emphasis (2007-2009)
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D.M.,
Early Music - Keyboard/Plucked Instrument Emphasis (2005)
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D.M., Early Music - Keyboard/Plucked Instrument Emphasis (2007-2009)
Admission for all degree programs in Early Music is by audition.
For audition purposes, a demonstration of general musicianship is
more important than knowledge of historical performance practice.
Students should perform two or more contrasting pieces (at least 15
minutes total) from their repertoire.
Admission to all Early Music graduate programs is conditional
upon passing a hearing during the second semester of residence which
demonstrates satisfactory progress toward the anticipated successful
completion of the program.
Pre-requisites:
- B.M.: Admission to a standard university undergraduate
degree program.
- M.M.: Bachelor of music degree or its demonstrated
equivalent.
- D.M.: Master's degree with the same major or its
demonstrated equivalent, which may be offered in partial
fulfillment of major or minor field requirements, subject to
evaluation and acceptance.
Other non-degree programs:
Admission to the Artist Diploma or Performer Diploma requires
an audition. Final admission to the Artist Diploma occurs during the
first semester of study after an audition for the Artist Diploma
Committee. Specific audition requirements for the Artist or
Performer Diplomas are the same as the graduate audition
requirements.
The Visiting Student enrollment option requires an audition
in accordance with the graduate audition requirements for each
instrument as well as permission from a faculty member for
instruction.
For more information please visit the Music Graduate Office and the Undergraduate Advising & Records Services websites. |