Sponsored by the Mavesa Cultural Project, with the support of the Latin American Music Center, it's become Latin America's main guitar event, turning the capital of Venezuela into the guitar capital of the world each year

International August Festival

Caracas

Venezuela



July 26 to August 2

1997

General Information

Schedule of Activities

Graphic Report

 

Participants:

Laura Alonso
Venezuela
Vicente Amigo
España
Aquiles Báez
Venezuela
Ernesto Bitetti
Argentina 
Trío Raúl Borges
Venezuela
Enrique Cazes
Brasil
El Cuarteto
Venezuela
Cumaco Jazz Quintet
Venezuela
Aliro Díaz
Venezuela
Senio Díaz
Venezuela
Roland Dyens
Francia
Eos Guitar Quartet
Suiza
Paul Fischer
Reino Unido
Béla Fleck and the Flecktones
USA
Anton García Abril
España
Gerson García
Venezuela
Everton Gloeden
Brasil
 José G. Guánchez
Venezuela
Gurrufío
Venezuela
Leopoldo Igarza
Venezuela
Arthur Kampela
Brasil
 Dúo Montes-Kircher
Venezuela/Alemania
Orquesta de Guitarras
Venezuela
Orquesta Sinfónica Gran Mariscal de Ayacucho
Venezuela
Orquesta Sinfónica de Venezuela
Pabellón sin Baranda
Venezuela
Luis Quintero
Venezuela
Rodrigo Riera
Venezuela
Alfredo Rugeles
Venezuela
Emre Sabuncuoglu
Turquía
Diego Silva
Venezuela
Efraín Silva
Venezuela
Hopkinson Smith
USA
Carmen Téllez
Venezuela
Luis Julio Toro
Rubén Riera

Venezuela
   Luis Zea
Edgar Zaume
Luis Marcano

Venezuela
 




Mavesa, Venezuela's leading company in the production and marketing of consumer goods, created the Mavesa Cultural Project in 1987 to provide backing for guitar players and composers in Venezuela, where the instrument has a long and abundant tradition.

In August 1987, the Mavesa Cultural Project sponsored and organized the First Guitar Encounter, with the participation of Maestro Abel Carlevaro. Since then, each year the project has devoted the month of August to guitar events of national and international resonance. Participating artists have included Leo Brower, Alirio Díaz, Rodrigo and Rubén Riera, Luis Zea, Luis Quintero, David Russell, Carlos Luis Barbosa-Lima, Manolo Sanlúcar, Costas Cotsiolis, Barry Mason, Oscar Ohlsen, Jukka Savijoki, and María Esther Guzmán.

At the same time, the Mavesa Cultural Project has been conducting activities in the fields of discography, dissemination and promotion. It fosters guitar encounters that encourage young people to study the instrument on a permanent basis, and runs exchange programs with international performers. Activities like "The Guitar goes to High Schools," "Cycle of Classical Guitar Concerts in Cathedrals," "The Guitar, an Instrument for Integration"--that supports artistic exchange between Colombia and Venezuela--are examples some of the most recent programs. The Mavesa Cultural Project also sponsors the research on history and repertoire of the guitar in Venezuela.

This year the mavesa cultural project recruited the support of the Latin American Music Center at Indiana University, which promotes the performance of Latin American music internationally, to cooperate with the other sponsoring organizations.

The 1997 the festival will include concerts, talks, exhibitions, master classes and the Rodrigo Riera International Composition Guitar Competition. The finalists composition from the Riera competition will be performed in this year's festival. The winner piece will be an obligatory work for the Alirio Diaz Guitar Competition 1998.

For additional details about the 1997 International August Festival please contact:

Karen Morillo
Proyecto Cultural Mavesa
Av. Principal Los Cortijos de Lourdes, Ed. Mavesa
Box 2048, Caracas Venezuela

Tel: (58-2) 203 7373 or (58-2) 203 7316
Fax: (58-2) 203 7459

email kmorillo@mavesa.com.ve

 

 

 

   
     
 Latin American Music Center &nbsp  Consejo Nacional de la Cultura


[LAMC Home Page] [IU School of Music] [Indiana University]



Prepared and maintained by Erick Carballo
Comments or suggestions please click to email
carballo@indiana.edu