The Spanish Resource Center
and the

Latin American Music Center

announce the

Seventh Annual Competition in the

Performance of Music from

Spain and Latin America

Semi-Final and Final Rounds:

April 3 and 4 , 2004

Indiana University School of Music
Merrill Recital Hall

• I. Objectives
• II. Prizes
• III. Prize-Related Activities: CD Recording and Performance
• IV. Repertoire Requirements
• V. Stages of the Competition VI. Judging Criteria
• Appendix 1: Works by Juan Orrego Salas
• Appendix 2: Works that Cannot Be Programmed for the 2004 Competition

I. Objectives:

The Annual Competition in Performance of Music from Spain and Latin America seeks to promote the knowledge and performance of concert music from Spain and all countries in Latin America.

The competition is open to vocal and instrumental soloists, chamber music ensembles, and conductors who are currently registered in a performance program at the Indiana University School of Music. Winners of previous editions of the competition cannot participate.

In 2004 we will celebrate the 85th birthday of Juan Orrego Salas, founder of the Latin American Music Center, and he will be honored with a special prize for the best performance of his music.

II. Prizes:

For the 2004 Edition, the Competition has two Prize Categories and one Special Prize:

1. Open Interpretation Category: Two prizes will be awarded for the best performances of the chosen repertoire by a vocal or instrumental soloist A soloist may be assisted by different collaborating performers during his or her program. The prize will be awarded nominally to the soloist.

The first and second prize in the Open Category will be US $900 and US $600, respectively.

2. Special Focus Category: This category rotates every year among voice, the different instrumental families, and chamber ensembles. The Special Focus Category of the 2004 is assigned to Chamber Ensembles, both vocal and instrumental, in any combinations.

The minimum numbers of performers for ensembles without conductor is two, while the minimum number of performers for works requiring a conductor is seven. The maximum number of performers in an ensemble is twelve.

A core ensemble of at least two performers, or a conductor, may prepare a program involving different assisting performers for different pieces. If this is the case, the core ensemble will be identified as the competitors and will remain the same throughout the program. The prize will be awarded to the core ensemble or the conductor.

Special situations will be examined on a case-by-case basis by writing to lamc@indiana.edu. Given the potential fluidity of chamber music personnel, students are encouraged to submit their proposals for consideration.

The first and only prize in the Special Focus Category will be US $1,600.

3. Juan Orrego Salas Prize: In addition to the prizes above, the 7th Annual Competition in the Performance of Music from Spain and Latin America will celebrate Juan Orrego Salas's 85th birthday by offering a special prize for the best performance of his music. This special prize may be awarded to any of the winners in the Open or Special Focus categories, or to a different soloist or ensemble.

The Juan Orrego Salas prize will be US $ 400.

III. Prize-Related Activities:

1. CD Recording: All prize winners will record their repertoire or a selection thereof for a documentary compact disc produced by the Latin American Music Center and supported by the Spanish Resource Center, of 74-78 minutes of duration.  Therefore, the students entering the competition must check that they can be available to record, should they win, between May 1^st and May 15, 2004. At that point they will also be asked to provide a publicity photo and a biography.

The Latin American Music Center will compile the repertoire for the CD on the basis of thematic unity, stylistic balance, and length. No guarantees can be offered that the CD will include all the repertoire performed in the competition, but all efforts will be made in this regard.

2. Concert Performances: First prize winners in the Open and Special Focus categories may be asked to perform one or more special concerts celebrating the competition on dates and places to be arranged by the Spanish Resource Center after April 2004. Depending on circumstances, second prize winners and/or winners of the Juan Orrego Salas prize may be asked to perform as well.

IV. Repertoire Requirements:

Competitors must compile a short recital of two or more works by Spanish and Latin American composers with the following characteristics:

a. Total combined duration of the recital: minimum of 20 minutes and a maximum of 40 minutes. 

b. The recital must include at least one work by a Spanish composer and at least one work by Juan Orrego Salas (Chile, 1919) as their Latin American selection, chosen from the solo or chamber works by the composer listed in Appendix I.

      Performers whose instrument or core ensemble are not represented on the list of solo or chamber works by Orrego Salas may request a special waver and participate in the competition by including at least one work by a Spanish composer and at least one work by a Latin American composer (born in Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Uruguay, or Venezuela). Waver requests should be included as part of the application..

c. The recital also must be stylistically varied: At least one of the works must clearly reflect Spanish and/or Latin American regional styles and genres. At least one of the works must reflect international modern compositional styles and/or techniques. Even though the output of Juan Orrego Salas belong to the international modern style, there are also examples of the former. If you have any questions about style, please write to lamc@indiana.edu and we will assist you.

d. Arrangements will be acceptable only for instruments for which original compositions cannot be found, and which use arrangements in modern professional concert practice. Students are advised to favor original works and to carefully gauge the quality of arrangements, since program selection will be a determining factor when awarding the prizes.

e. Given that a competitor can potentially record his/her repertoire, the following works cannot be programmed for the 2004 competition:

· Any works originally for solo and orchestra, unless it is arranged by the composer for recital programming.

· The works which have been recorded by previous competition winners in the last four years either in the original version or in arrangements for other instruments (see Appendix II). Works by Orrego Salas, however, may be programmed again and are excepted from this rule.

The applicants are encouraged to take full advantage of the resources of the Latin American Music Center and discuss their intended program with us, by writing to lamc@indiana.edu or if preferred, by requesting an appointment with our Research Coordinator Luiz Fernando Lopes at lflopes@indiana.edu

V. Stages of the Competition:

1. Preliminary Round:

A. Applicants shall submit a CD-R with recordings of excerpts from their program, including at least one Spanish and at least one Latin American work, for a total of 10 minutes only. Representative fragments of works longer than 10 minutes may be included, if necessary. The CD should be clearly identified with the names of the applicant or core ensemble, and a listing of the works performed, including the composers' countries of origin.

In addition to the CD, applicants must submit the items listed below, all of which MUST be submitted by e-mail attachment to lamc@indiana.edu, in order to preserve the formatting and diacriticals accents of foreign words.

B. Application letter including the following information for each applicant or core ensemble members.

· Name, address, phone, and e-mail;

· Voice part, instrument, or ensemble formation to perform in the competition;

· Name of the major teacher or chamber music coach;

· Degree program at Indiana University;

c. A list of the complete program to be played in the competition, including the country of origin of the composers and the timings of the works.

d. A single paragraph program note for each work to be performed in the competition. The program note should include the data requested in the following checklist:

· Full name, country of origin, dates and cities of birth/death of the composer;

· Full title of the work and composition date, as well as opus number, individual movements, and/or collection title from which the work is taken (if applicable);

· Salient stylistic features, technical demands, and historical significance or importance of the work within the composer’s output.

· Original text and translation of vocal works.

e. If applicable, request for waver to perform a work by Juan Orrego Salas, if no work of his exists for the applicant's instrument (See Section IV).

f. Finally, applicants should also request that their applied music/conducting teacher or chamber music coach send an e-mail to lamc@indiana.edu authorizing them to participate in the competition.

The deadline for submission of  materials for the preliminary stage is MARCH 5, 2004.

All CDs should be mailed or delivered in person to the Latin American Music Center, room 383 inside the Music Library, Simon Building 160, Indiana University, Bloomington. All other application materials must be sent by e-mail to lamc@indiana.edu.

The jury, comprised of IU School of Music faculty and guests, will select at least four but no more than six semi-finalists for the Open Category and at least two but no more than four semi-finalists for the Chamber Ensembles category. The jury reserves the right to include fewer or additional participants in the semifinal round if it considers it justified and appropriate, and its decision cannot be contested once announced.

The results of the Preliminary Round will be announced on MARCH 13, 2004

The chosen candidates must confirm participation in the semi-finals by sending an e-mail message to lamc@indiana.edu by March 17, 2004.

2. Semi-Finals:

The semi-finals will take place in Recital Hall, Saturday, April 3, 2004, from 10-2 P.M. Competitors will select the first work to perform. The jury may interrupted them at any time and request further selections. The results will be announced and posted at the end of the deliberation session.

3. Finals:

Finalists will participate in a recital, open to the public, at Recital Hall, on Sunday, April 4, 2003, at 4 P.M., performing the same repertoire offered for the semi-finals. The Jury will request specific works to be played in full. It is possible that the complete repertoire will be performed.

Prizes will be announced the same evening and posted.

A reception for all the participants, jury, and guests will follow.

VI. Judging Criteria for Prizes:

The jury will consider the following aspects in balance:

1. Choice of Repertoire:

The program must demonstrate the competitor's research and imagination in selecting high quality works, balancing the styles, avoiding conventional choices, and showcasing virtuosity and musical expression.

2. Musical and Technical Virtuosity:

The competitor must demonstrate command of the interpretive requirements of the works in the program.

3. Sense of Style:

The competitor must reveal an understanding of different styles and performance practices.

APPENDIX 1: Works by Juan Orrego Salas

1. All works from this list will eventually be available on reserve.

2. Please contact us at lamc@indiana.edu in case you would like to examine a specific work that is either being catalogued or on order.

1) Open Category:

Bandoneón | Clarinet | Flute | Guitar | Harp | Organ | Percussion | Piano | Saxophone | Tuba | Viola | Violin | Violoncello | Voice

2) Chamber Category:

Accordion | Bassoon | Celesta | Clarinet | Double Bass | English Horn | Flute | Folk Instrument | Guitar | Harp | Harpsichord | Horn | Oboe | Percussion | Piano | Saxophone | Trombone | Trumpet | Tuba | Viola | Violin | Violoncello | Voice (Solo) | Voice (Choir) | Conducting

---

1) Open Category (Listed in alphabetical order by instrument, then by opus number):

BANDONEÓN (Open Category):
- Suite para bandoneón Op. 36 (1952) [on order]

CLARINET (Open Category):
- Variations for a Quiet Man: For the 85th Birthday of Aaron Copland Op. 79 (1980), for clarinet and piano [M250.O73 V2; Frontlog score ABN1751]

FLUTE (Open Category):
- Serenata Op. 70 (1972), for flute and violoncello [M291 .O775 S3 Op. 70]
- Sonata de estío Op. 71 (1972), for flute and piano [M242.O7 S6]

GUITAR (Open Category):
- Esquinas Op. 68 (1971), for guitar [M127 .O75 E8]
- Canciones en el estilo popular Op. 80 (1981), for voice and guitar [M1624 .O73 C2]
- Glosas Op. 91 (1984), for violin and guitar [Frontlog score ADX1214]
- Canción de cuna para Llorença Gasull Op. 103 (1991), for voice and guitar [on order]

HARP (Open Category):
- Variations on a Chant Op. 92 (1984), for harp [Frontlog score ACL3030]

ORGAN (Open Category):
- Toccata y arioso Op. 118 (2000), for organ [on order]

PERCUSSION (Open Category):
- Secuencias Op. 120 (2001), for alto saxophone and percussion [on order]

PIANO (Open Category):
- Suite No. 1, Op. 14 (1945), for piano [M24 .O75 Op. 14]
- Variaciones y fuga sobre el tema de un pregón Op. 18 (1946), for piano [M27 .O75; M27 .O75 V26]
- Diez piezas simples (ten simple pieces) Op. 31 (1951), for piano [M25. O75 Op. 31]
- Suite No. 2, Op. 32 (1952), for piano [M24 .O75 Op. 32]
- Rústica Op. 35 (1952), for piano [M25 .O75 R9 Op. 35]
- Sonata Op. 60 (1967), for piano [M23.O75 S6]
- Rondo-Fantasía Op. 90 (1984), for piano [Frontlog score ADY7373]

SAXOPHONE (Open Category):
- Quattro liriche brevi Op. 61 (1967), for alto saxophone and piano [M269 .O75 Q2]
- Secuencias Op. 120 (2001), for alto saxophone and percussion [on order]
- Movimiento Concertante Op.123 (2003), for alto saxophone and string quartet [on order]

TUBA (Open Category):
- De profundis Op. 76 (1979), for tuba and four violoncellos [M562 .O73 D4]
- Midsummer Diversions Op. 99 (1987), for tuba and violoncello [Frontlog score AGN0482]

VIOLA (Open Category):
- Sonata a dúo Op. 11 (1945), for violin and viola [M287.O75 S6]
- Mobili Op. 63 (1967), for viola and piano [M226.O755 M6 1971]
- A Greeting Cadenza for William Primrose Op. 65 (1970), for viola [M47 .O75 G7]

VIOLIN (Open Category):
- Sonata Op. 9 (1944, rev. in 1964), for violin and piano [M219.O75 S7]
- Sonata a dúo Op. 11 (1945), for violin and viola [M287.O75 S6]
- Pastoral y scherzo Op. 42 (1956), for violin and piano [M221.O83 P2]
- Glosas Op. 91 (1984), for violin and guitar [Frontlog score ADX1214]
- Idas y vueltas (Turns and Returns) Op. 121 (2002), for violin and piano [on order]

VIOLONCELLO (Open Category):
- Dúos concertantes: In memoriam Hans Kindler Op. 41 (1955), for violoncello and piano, in five movements [M233.O66 D8]
- Serenata Op. 70 (1972), for flute and violoncello [M291.O775 S3 Op. 70]
- Balada Op. 84 (1982-83), for violoncello and piano [M233.O66 B3]
- Midsummer Diversions Op. 99 (1987), for tuba and violoncello [Frontlog score AGN0482]
- Espacios: A Rhapsody Op. 115 (1998), for violoncello and piano, [on order]

VOICE (Open Category) [listed by number of performers, then by opus number]:
- Canción Op. 15 (1946), for contralto and piano [on order]
- Romancillo Op. 23 (1948), for medium voice and piano [being catalogued]
- El alba del alhelí Op. 29 (1950): song cycle for voice and piano [M1621 .O75 A3]
- Alabanzas a la Virgen Op. 49 (1959), for voice and piano [M2113.4 .O75 A3]
- Psalms Op. 74 (1977), for baritone and piano [M2113.O75 P9 Op.74]
- Canciones en [el] estilo popular Op. 80 (1981), for voice and guitar [M1624 .O73 C2]
- Canción de cuna para Llorença Gasull, op 103 (1991), for voice and guitar [on order]
- Cantata de navidad Op. 13 (1945), for soprano and orchestra [piano-vocal score being catalogued]
- El retablo del rey pobre Op. 27 (1949-1952), opera-oratorio [piano-vocal score being catalogued]
- Viudas (Widows), Op.101 (1990), opera in prologue and 3 acts (piano vocal score) [Frontlog score AJZ1154 v.1-2]
- La ciudad celeste Op. 105 (1992), for baritone, chorus and orchestra [reduced version for voices and piano by composer being catalogued]
- Cantos de advenimiento Op. 25 (1948), for medium voice, violoncello, and piano [M1621.3.O75 C3]
- Garden Songs Op. 47 (1947, rev. in 1967), for soprano voice, flute, viola, and harp [M1613.3 .O77 Op. 47]
- Villancico Op. 6 (1946), for soprano solo and four mixed voices [M2085.O75 C3]
- Canciones en tres movimientos Op. 12 (1945), for soprano and string quartet [being catalogued]
- Ave Maria Op. 111b (1996), for solo soprano and SATB chorus [on order]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Palabras de Don Quijote Op. 66 (1970, rev. in 1971), for baritone and chamber ensemble (flute, oboe, clarinet, bassoon, horn, percussion, harp, harpsichord, guitar, 2 violins, 2 violas, 2 violoncellos, and double bass) [M1528.O755 P15 1971]

2) Special Focus Category: Chamber Ensembles (Listed in alphabetical order by core instrument, then by ensemble size, and finally by opus number. Conducting is listed at the end):

ACCORDION (Chamber Category - Other Possible Core Instruments: clarinet, double bass, flute, guitar, percussion, piano, trombone, trumpet, violin, and/or violoncello)
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass)

BASSOON (Chamber Category - Other Possible Core Instruments: flute and/or oboe):
- Divertimento No. 1, Op. 43 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43; M357.2 .O68 op.43 1956]
- Divertimento No. 2, Op. 44 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43]

CELESTA (Chamber Category - Other Possible Core Instruments: clarinet, flute, harpsichord, percussion, violin, and/or violoncello)
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]

CLARINET (Chamber Category - Other Possible Core Instruments: accordion, bassoon, clarinet, celesta, contrabassoon, double bass, English horn, flute, guitar, harp, harpsichord, horn, oboe, percussion, piano, piccolo, trombone, trumpet, viola, violin, violoncello, and/or voice)
- Variations for a Quiet Man: For the 85th Birthday of Aaron Copland Op. 79 (1980), for clarinet and piano [M250.O73 V2; Frontlog score ABN1751]
- Sextet Op. 38 (1954), for clarinet, piano, and string quartet [M622 .O83 Op. 38; M622 .O83 Op. 38 1954]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass [on order]

DOUBLE BASS (Chamber Category - Other Possible Core Instruments: accordion, clarinet, flute, guitar, harpsichord, oboe, percussion, piano, trombone, trumpet, violin, and/or violoncello)
- Sonata a quattro "Edgewood sonata" Op. 55 (1964), for flute, oboe, harpsichord, and double bass, in four movements, che, fl, ob, hd, db, PI, [M422.O75 S6 1964]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass)

ENGLISH HORN (Chamber Category - Other Possible Core Instruments: clarinet, flute, harp, horn, percussion, viola, violoncello, and/or voice)
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]

FLUTE (Chamber Category - Other Possible Core Instruments: accordion, bassoon, celesta, clarinet, contrabassoon, double bass, flute, guitar, harp, harpsichord, horn, oboe, percussion, piano, piccolo, trombone, trumpet, tuba, viola, violin, violoncello, and/or voice)
- Serenata Op. 70 (1972), for flute and violoncello [M291 .O775 S3 Op. 70]
- Sonata de estío Op. 71, for flute and piano [M242.O7 S6]
- Divertimento No. 1, Op. 43 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43; M357.2 .O68 op.43 1956]
- Divertimento No. 2, Op. 44 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43]
- Garden Songs Op. 47 (1947, rev. in 1967), for soprano voice, flute, viola, and harp [M1613.3 .O77 Op. 47]
- Sonata a quattro "Edgewood sonata" Op. 55 (1964), for flute, oboe, harpsichord, and double bass, in four movements, che, fl, ob, hd, db, PI, [M422.O75 S6 1964]
- 3 Fanfarrias Op. 107, for brass quintet (2 trumpets, horn, trombone, and tuba), 1994
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass

FOLK INSTRUMENT (Chamber Category - Other Possible Core Instruments: another folk instrument, and/or voice)
- Un canto para Bolívar Op. 78 (1981), for tenor (or mezzo), male voices and folk instruments (2 quenas, percussion, 2 charangos, triple, cuatro, 2 guitarras, and bajo) [M1539 .O73 C2]
- Yo digo lo que no digo Op. 83 1983, for voices and folk instruments [order]

GUITAR (Chamber Category - Other Possible Core Instruments: accordion, clarinet, double bass, flute, guitar, percussion, piano, trombone, trumpet, violin, violoncello, and/or voice)
- Canciones en el estilo popular Op. 80 (1981), for voice and guitar, vocal, vo, gu, n.p., [M1624 .O73 C2]
- Glosas Op. 91 (1984), for violin and guitar [Frontlog score ADX1214]
- Canción de cuna para Llorença Gasull Op. 103 (1991), for voice and guitar [on order]
- Biografía mínima de Salvador Allende: Para ser cantada en voz alta el 11 de septiembre Op. 85 (1983), for voice, trumpet, guitar, and percussion [M1613.3 .O77 Op. 85]
- Tangos Op. 82, for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass), 1982 [on order]

HARP (Chamber Category - Other Possible Core Instruments: clarinet, English horn, flute, horn, percussion, piano, viola, violoncello, and/or voice)
- Garden Songs Op. 47 (1947, rev. in 1967), for soprano voice, flute, viola, and harp [M1613.3 .O77 Op. 47]
- Alboradas Op. 56 (1964), for female chorus (SSA), piano, harp, and 3 percussion players [M1531.O75 A5]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]

HARPSICHORD (Chamber Category - Other Possible Core Instruments: celesta, clarinet, double bass, flute, oboe, percussion, viola, violin, and/or violoncello)
- Sonata a quattro "Edgewood sonata" Op. 55 (1964), for flute, oboe, harpsichord, and double bass [M422.O75 S6 1964]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]

HORN (Chamber Category - Other Possible Core Instruments: clarinet, English horn, flute, horn, harp, percussion, trombone, trumpet, tuba, viola, and/or violoncello)
- Concertino for brass quartet Op. 54 (1963), for trumpet, horn, and tuba [M457.4.O74 C7; M457.4.O74 C7 1963]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]

OBOE (Chamber Category - Other Possible Core Instruments: bassoon, clarinet, contrabassoon, double bass, flute, harp, harpsichord, horn, percussion, piano, piccolo, trombone, trumpet, viola, violin, and/or violoncello)
- Divertimento No. 1 Op. 43 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43; M357.2 .O68 op.43 1956]
- Divertimento No. 2 Op. 44 (1956), for flute, oboe, and bassoon [M357.2 .O68 op.43]
- Sonata a quattro "Edgewood sonata" Op. 55 (1964), for flute, oboe, harpsichord, and double bass [M422.O75 S6 1964]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]

PERCUSSION (Chamber Category - Other Possible Core Instruments: accordion, celesta, clarinet, double bass, English horn, flute, guitar, harp, harpsichord, horn, piano, saxophone, trombone, trumpet, violin, viola, violoncello, and/or voice):
- Secuencias Op. 120 (2001), for alto saxophone and percussion
- Biografía mínima de Salvador Allende: para ser cantada en voz alta el 11 de septiembre Op. 85 (1983), for voice, trumpet, guitar, and percussion [M1613.3 .O77 Op. 85]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Alboradas Op. 56 (1964), for female chorus (SSA), piano, harp, and 3 percussion players [M1531.O75 A5]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass [on order]

PIANO (Chamber Category - Other Possible Core Instruments: accordion, bassoon, clarinet, contrabassoon, double bass, flute, guitar, harp, horn, oboe, percussion, piano, piccolo, saxophone, trombone, trumpet, viola, violin, violoncello, and/or voice):
- Sonata Op. 9 (1944, rev. in 1964), for violin and piano [M219.O75 S7]
- Dúos concertantes "In memoriam Hans Kindler" Op. 41 (1955), for violoncello and piano, in five movements [M233.O66 D8]
- Pastoral y scherzo Op. 42 (1956), for violin and piano [M221.O83 P2]
- Quattro liriche brevi Op. 61 (1967), for alto saxophone and piano [M269 .O75 Q2]
- Mobili Op. 63 (1967), for viola and piano [M226.O755 M6 1971]
- Sonata de estío Op. 71 (1972), for flute and piano [M242.O7 S6]
- Variations for a Quiet Man: For the 85th Birthday of Aaron Copland Op. 79 (1980), for clarinet and piano [M250.O73 V2; Frontlog score ABN1751]
- Balada Op. 84 (1982-83), for violoncello and piano [M233.O66 B3]
- Dialogues in Waltz Op. 89 (1984), for piano four-hands [on order]
- Diferencias del retablo Op. 102 (1991), for 2 pianos/piano four-hands [Frontlog score ADY7369]
- Espacios: A Rhapsody Op. 115 (1998), for violoncello and piano [on order]
- Cantango Op. 116 (Year?), for 2 pianos [on order]
- Idas y vueltas (Turns and Returns) Op. 121 (2002), for violin and piano [on order]
- Cantos de advenimiento Op. 25, for medium voice, violoncello, and piano, 1948, xmas, vo-a, vc, pn, n.p., [M1621.3.O75 C3]
- Trio No. 1 Op. 58 (1966), for violin, violoncello, and piano, in four movements, che, vn, vc, pn, PI, [M312 .O75 Op. 58; M312 .O75 Op. 58 1966]
- Trio No. 2 Op. 75 (1977), for violin, violoncello, and piano [Frontlog score 5377440]
- Partita Op. 100 (1988), for saxophone in A, violin, violoncello, and piano [Frontlog score AHX2999]
- Encuentros (Variaciones sobre dos temas de Franz Schubert) Op. 114 (1997), for piano quintet [M512.O77 E6]
- Dos canciones Op. 4 (1937-42), for 5 voices and piano [on order]
- Sextet Op. 38 (1954), for clarinet, piano, and string quartet [M622 .O83 Op. 38; M622 .O83 Op. 38 1954]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Alboradas Op. 56 (1964), for female chorus (SSA), piano, harp, and 3 percussion players [M1531.O75 A5]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass) [on order]

SAXOPHONE (Chamber Category - Other Possible Core Instruments: percussion and/or piano)
- Quattro liriche brevi Op. 61 (1967), for alto saxophone and piano, duo,sx-a, pn, PI, [M269 .O75 Q2]
- Secuencias Op. 120 (2001), for alto saxophone and percussion

TROMBONE (Chamber Category - Other Possible Core Instruments: accordion, clarinet, double bass, flute, horn, guitar, percussion, piano, trombone, trumpet, tuba, violin, and/or violoncello)
- 3 Fanfarrias Op. 107 (1994), for brass quintet (2 trumpets, horn, trombone, and tuba) [on order]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass) [on order]

TRUMPET (Chamber Category - Other Possible Core Instruments: accordion, bassoon, clarinet, contrabassoon, double bass, flute, guitar, harp, horn, oboe, percussion, piano, piccolo, trombone, trumpet, tuba, violin, violoncello, and/or voice)
- Concertino Op. 54 (1963), for brass quartet (trumpet in C, 2 Horns, and trombone) [M457.4.O74 C7; M457.4.O74 C7 1963]
- Biografía mínima de Salvador Allende: Para ser cantada en voz alta el 11 de septiembre Op. 85 (1983), for voice, trumpet, guitar, and percussion [M1613.3 .O77 Op. 85]
- 3 Fanfarrias Op. 107 (1994), for brass quintet (2 trumpets, horn, trombone, and tuba) [on order]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass [on order]

TUBA (Chamber Category - Other Possible Core Instruments: horn, trombone, trumpet, and/or violoncello)
- Midsummer Diversions Op. 99 (1987), for tuba and violoncello [Frontlog score AGN0482]
- Concertino Op. 54 (1963), for brass quartet (trumpet, 2 Horns, and trombone) [M457.4.O74 C7; M457.4.O74 C7 1963]
- De profundis Op. 76 (1979), for tuba and four violoncellos [M562 .O73 D4]
- 3 Fanfarrias Op. 107 (1994), for brass quintet (2 trumpets, horn, trombone, and tuba) [on order]

VIOLA (Chamber Category - Other Possible Core Instruments: clarinet, English horn, flute, horn, harp, harpsichord, oboe, percussion, piano, saxophone, violin, violoncello, and/or voice)
- Sonata a dúo Op. 11 (1945,), for violin and viola [M287.O75 S6]
- Mobili Op. 63 (1967), for viola and piano [M226.O755 M6 1971]
- String Quartet No. 1, Op. 46 (1957), [M452 .O75 No. 1; M452 .O75 No. 1 1963]
- Garden Songs Op. 47 (1947, rev. in 1967), for soprano voice, flute, viola, and harp [M1613.3 .O77 Op. 47]
- String Quartet No. 2, Op. 110 (1996) [on order]
- String Quartet No. 3, Op.124 (2003) [on order]
- Canciones en tres movimientos Op. 12 (1945), for soprano and string quartet [being catalogued]
- Encuentros (Variaciones sobre dos temas de Franz Schubert) Op. 114 (1997), for piano quintet [M512.O77 E6]
- Movimiento concertante Op.123 (2003), for alto saxophone and string quartet [on order]
- Sextet Op. 38 (1954), for clarinet, piano, and string quartet [M622 .O83 Op. 38; M622 .O83 Op. 38 1954]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]

VIOLIN (Chamber Category - Other Possible Core Instruments: accordion, celesta, clarinet, double bass, flute, guitar, harpsichord, oboe, percussion, piano, saxophone, trombone, trumpet, viola, violin, violoncello, and/or voice)
- Sonata Op. 9 (1944, rev. in 1964), for violin and piano [M219.O75 S7]
- Sonata a dúo Op. 11 (1945), for violin and viola [M287.O75 S6]
- Pastoral y scherzo Op. 42 (1956), for violin and piano [M221.O83 P2]
- Glosas Op. 91 (1984), for violin and guitar [Frontlog score ADX1214]
- Idas y vueltas (Turns and Returns) Op. 121 (2002), for violin and piano [on order]
- Trio No. 1 Op. 58 (1966), for violin, violoncello, and piano [M312 .O75 Op. 58; M312 .O75 Op. 58 1966]
- Trio No. 2 Op. 75 (1977), for violin, violoncello, and piano [Frontlog score 5377440]
- For Young Violinists (Andantino) Op. 96 (1987), for 3 violins [on order]
- String Quartet No. 1, Op. 46 (1957) [M452 .O75 No. 1; M452 .O75 No. 1 1963]
- Partita Op. 100 (1988), for saxophone in A, violin, violoncello, and piano [Frontlog score AHX2999]
- String Quartet No. 2, Op. 110 (1996) [on order]
- String Quartet No. 3 Op.124 (2003) [on order]
- Canciones en tres movimientos Op. 12 (1945), for soprano and string quartet, [on order]
- Encuentros (Variaciones sobre dos temas de Franz Schubert) Op. 114 (1997), for piano quintet [M512.O77 E6]
- Movimiento concertante Op.123 (2003), for alto saxophone and string quartet [on order]
- Sextet Op. 38 (1954), for clarinet, piano, and string quartet [M622 .O83 Op. 38; M622 .O83 Op. 38 1954]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass [on order]

VIOLONCELLO (Chamber Category - Other Possible Core Instruments: accordion, celesta, clarinet, double bass, English horn, flute, guitar, harp, harpsichord, horn, oboe, percussion, piano, saxophone, trombone, trumpet, tuba, viola, violin, violoncello, and/or voice)
- Dúos concertantes Op. 41 (1955): In memoriam Hans Kindler, for violoncello and piano, in five movements [M233.O66 D8]
- Serenata Op. 70 (1972), for flute and violoncello [M291.O775 S3 Op. 70]
- Balada Op. 84 (1982-83), for violoncello and piano [M233.O66 B3]
- Midsummer Diversions Op. 99 (1987), for tuba and violoncello, che, tu, vc, n.p., [Frontlog score AGN0482]
- Espacios: A Rhapsody Op. 115 (1998), for violoncello and piano [on order]
- Cantos de advenimiento Op. 25 (1948), for medium voice, violoncello, and piano [M1621.3.O75 C3]
- Trio No. 1 Op. 58 (1966), for violin, violoncello, and piano, in four movements, che, vn, vc, pn, PI, [M312 .O75 Op. 58; M312 .O75 Op. 58 1966]
- Trio No. 2 Op. 75 (1977), for violin, violoncello, and piano [Frontlog score 5377440]
- String Quartet No. 1, Op. 46 (1957), in four movements, str4, 2vn, va, vc, PI, [M452 .O75 No. 1; M452 .O75 No. 1 1963]
- Partita Op. 100 (1988), for saxophone in A, violin, violoncello, and piano [Frontlog score AHX2999]
- String Quartet No. 2, Op. 110 (1996) [on order]
- String Quartet No. 3, Op.124 (2003) [on order]
- Canciones en tres movimientos Op. 12 (1945), for soprano and string quartet [being catalogued]
- De profundis Op. 76 (1979), for tuba and four violoncellos [M562 .O73 D4]
- Encuentros (Variaciones sobre dos temas de Franz Schubert) Op. 114 (1997), for piano quintet [M512.O77 E6]
- Movimiento concertante Op.123 (2003), for alto saxophone and string quartet [on order]
- Sextet Op. 38 (1954), for clarinet, piano, and string quartet [M622 .O83 Op. 38; M622 .O83 Op. 38 1954]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello [M722 .O75 P9]
- Gyrocantus Op. 98 (1987), for flute, clarinet, violin, violoncello, harpsichord, celesta, and percussion [being catalogued]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass)

VOICE - SOLO (Chamber Category - Other Possible Core Instruments: clarinet, English horn, flute, folk instruments, guitar, harp, horn, percussion, piano, trumpet, viola, violin, violoncello, and/or voice)
- Canción Op. 15 (1946), for contralto and piano [on order]
- Romancillo Op. 23 (1948), for medium voice and piano [being catalogued]
- El alba del alhelí Op. 29 (1950), for voice and piano [M1621 .O75 A3]
- Alabanzas a la Virgen Op. 49 (1959), for voice and piano [M2113.4 .O75 A3]
- Psalms Op. 74 (1977), for baritone and piano [M2113.O75 P9 Op.74]
- Canciones en el estilo popular Op. 80 (1981), for voice and guitar [M1624 .O73 C2]
- Cantata de navidad Op. 13 (1945), for soprano and orchestra [piano-vocal score being catalogued]
- El retablo del rey pobre Op. 27 (1949-1952): opera-oratorio [piano-vocal score being catalogued]
- Viudas (Widows), Op.101 (1990), opera in prologue and 3 acts (piano-vocal score) [Frontlog score AJZ1154 v.1-2]
- Cantos de advenimiento Op. 25 (1948), for medium voice, violoncello, and piano [M1621.3.O75 C3]
- Garden Songs Op. 47 (1947, rev. in 1967), for soprano voice, flute, viola, and harp [M1613.3 .O77 Op. 47]
- Biografia minima de Salvador Allende: para ser cantada en voz alta el 11 de septiembre Op. 85 (1983), for voice, trumpet, guitar, and percussion [M1613.3 .O77 Op. 85]
- Canciones en tres movimientos Op. 12 (1945), for soprano and string quartet [being catalogued]
- Cinco canciones a seis Op. 87 (1984), for mezzo-soprano, two violins, clarinet, violoncello, and piano [on order]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Ave Maria Op. 111b (1996), for solo soprano and SATB chorus [on order]
- Villancico Op. 6 (1946), for soprano solo and four mixed voices (SATB) [M2085 .O75 C3]
- Un canto para Bolívar Op. 78 (1981), for tenor (or mezzo), male voices and folk instruments (2 quenas, percussion, 2 charangos, triple, cuatro, 2 guitarras, and bajo) [M1539 .O73 C2]
- Palabras de Don Quijote Op. 66 (1970, rev. in 1971), for baritone and chamber ensemble (flute, oboe, clarinet, bassoon, horn, percussion, harp, harpsichord, guitar, 2 violins, 2 violas, 2 violoncellos, and double bass) [M1528.O755 P15 1971]

VOICE - CHOIR (Chamber Category - Other Possible Core Instruments: violoncello, clarinet, English horn, flute, folk instruments, horn, guitar, harp, percussion, piano, trumpet, viola, violin, and/or voice)
- "Romance del establo de Belén," from Cánticos de navidad Op. 22 (1936), for female chorus (SSA) [M2094.O75 R6]
- Cánticos de navidad Op. 22 (1948), for female or children's chorus a cappella (SSA) [M998 .O755 C2; M2084.O7 C35 is missing]
- Villancico Op. 6 (1942), for mixed chorus a cappella (SATB) [M2085 .O75 V6]
- Romance a lo divino Op. 7 (1942), for mixed chorus a cappella (SATB) [M1584 .O75 Op.6]
- Let Down the Bars, Oh Death! Op. 8 (1945), for SATB chorus [on order]
- Romances pastorales Op. 10 (1945), for mixed chorus a cappella (SATB) [M1584 .O75 Op. 10]
- Romance a la muerte de Don Gato Op. 16 (1946), for TTBB chorus [on order]
- Tres madrigales Op. 62 (1967), for mixed voices a cappella (SATB) [M1584 .O75 Op. 62]
- Villancico Op. 6 (1946), for soprano solo and four mixed voices (SATB) [M2085 .O75 C3]
- Ave Maria Op. 111b (1996), for solo soprano and SATB chorus [on order]
- Dos canciones Op. 4 (1937-42), for 5 voices and piano [on order]
- Yo digo lo que no digo Op. 83 (1983), for voices and folk instruments [on order]
- Alboradas Op. 56 (1964), for female chorus (SSA), piano, harp, and 3 percussion players [M1531.O75 A5]
- Un canto para Bolívar Op. 78 (1981), for tenor (or mezzo), male voices and folk instruments (2 quenas, percussion, 2 charangos, triple, cuatro, 2 guitarras, and bajo) [M1539 .O73 C2]

CONDUCTING (Chamber Category) [Listed by opus number]:
- Dos canciones Op. 4 (1937-42), for 5voices and piano [on order]
- Villancico Op. 6 (1942), for mixed chorus a cappella (SATB) [M2085 .O75 V6]
- Villancico Op. 6 (1946), for soprano solo and four mixed voices (SATB) [M2085 .O75 C3]
- Romance a lo divino Op. 7 (1942), for mixed chorus a cappella (SATB) [M1584 .O75 Op.6]
- Let Down the Bars, Oh Death! Op. 8 (1945), for SATB chorus [on order]
- Romances pastorales Op. 10 (1945), for mixed chorus a cappella (SATB) [M1584 .O75 Op. 10]
- Romance a la muerte de Don Gato Op. 16 (1946), for TTBB chorus [on order]
- Cánones y rondas escolares Op. 17 (1946), for children's voices [M1627 .P18 C2]
- "Arroz con leche" from Cánones y rondas Op. 17 (1946), for children's chorus [M1627 .P18 C2 (p. 39)]
- "Aleluya" from Cánones y rondas Op. 17 (1946), for children's chorus [M1627 .P18 C2 (p. 109)]
- "Que vengo muerto de sed" from Cánones y rondas Op. 17 (1946), for children's chorus [M1627 .P18 C2 (p.85)]
- Canciones castellanas Op. 20 (1947), for soprano, flute, English horn, clarinet, horn, viola, violoncello, harp, and percussion [M1613.3 .O77 op. 20]
- Cánticos de navidad Op. 22 (1948), for female or children's chorus a cappella (SSA) [M998 .O755 C2; M2084.O7 C35 is missing]
- "Romance del establo de Belén," from Cánticos de navidad Op. 22 (1936), for female chorus (SSA) [M2094.O75 R6]
- Alboradas Op. 56 (1964), for female chorus (SSA), piano, harp, and 3 percussion players [M1531.O75 A5]
- Tres madrigales Op. 62 (1967), for mixed voices a cappella, SATB, chor, vo-satb, PI, [M1584 .O75 Op. 62]
- Palabras de Don Quijote Op. 66 (1970, rev. in 1971), for baritone and chamber ensemble (flute, oboe, clarinet, bassoon, horn, percussion, harp, harpsichord, guitar, 2 violins, 2 violas, 2 violoncellos, and double bass) [M1528.O755 P15 1971]
- Presencias Op. 72 (1972), for flute, oboe, clarinet, harpsichord, violin, viola, and violoncello, che, fl, ob, cl, pr, vn, va, vc, n.p., [M722 .O75 P9]
- Un canto para Bolívar Op. 78 (1981), for tenor (or mezzo), male voices and folk instruments (2 quenas, percussion, 2 charangos, triple, cuatro, 2 guitarras, and bajo) [M1539 .O73 C2]
- La ciudad celeste Op. 105 (1992), for baritone, chorus and orchestra [reduced version for voices and piano being catalogued]
- Ave Maria Op. 111b (1996), for solo soprano and SATB chorus [on order]
- Tangos Op. 82 (1982), for flute, clarinet, trumpet, trombone, guitar, accordion, percussion, piano, violin, violoncello, and double bass)

APPENDIX 2: Works that Cannot be Programmed for the 2004 Competition

1. Any work originally for solo and orchestra, unless it is arranged by the composer himself for recital programming;

2. The following compositions recorded by previous winners, either in their original version or in arrangements for other instruments:

Albéniz, Isaac                                                                        Asturias (leyenda)
Albéniz, Isaac                                                                                      Granada
Albéniz, Isaac Torre bermeja (Serenata)

Braga, Ernani Aboio

Brouwer, Leo                                                 Estudios sencillos Nos. 1, 6 & 2

Brouwer, Leo                                                                                        Sonata

Cassadó, Gaspar                             Sonata for violoncello and piano in A minor

Cassadó, Gaspar                                                         Suite for violoncello solo

Falla, Manuel de                                                                       El paño moruno

Falla, Manuel de                                                                                 Asturiana

Garay, Sindo La bayamesa

García Abril, Anton Agua me daban a mí

García Abril, Anton A pie van mis suspiro

García Abril, Anton No por amor, no por tristeza

Gardel, Carlos                                                                           Por una cabeza

Granados, Enrique                               "Oriental," No. 2 from Danzas españolas

Guridi, Jesús                                                       Viejo zortzico (Zortzico zarra)

Hahn, Reynaldo                                                                        L’heure exquise

Lecuona, Ernesto                                                                             Malagueña

Márquez, Arturo                                                                            Zarabandeo

Moreno, Salvador                                                                                  Poema

Moreno Torroba, Federico                                                                 Turégano

Moreno Torroba, Federico                                               Manzanares del Real

Moreno Torroba, Federico                                              Romance de los pinos

Moreno Torroba, Federico                                                                  Sigüenza

Moreno Torroba, Federico                                                Sonatina in A Major

Piazzolla, Astor Verano porteño

Piazzola, Astor Four, for Tango

Soutullo, Reveriano Bella enamorada…Noche de amor

Turina, Joaquín La oración del torero, Op. 35

Villa-Lobos, Heitor Etude No. 11