Graduates of the Ph.D. Program and Their Dissertations

• Cox, Sam (2007)
Paul Whiteman's Vision for a New American Music as Seen through His Composer Commissions


• King, Jennifer L. (2007)
The Proposta e risposta Madrigal, Dialogue, Cultural Discourse, and the Issue of Imitatio


• Butler, Nicholas M. (2004)
"Votaries of Apollo": The St. Cecilia Society and the Patronage of Concert Music in Charleston, South Carolina, 1766-1820


• Felicia Miyakawa (2003) (miyakawa@mtsu.edu)
God Hop: The Music and Message of Five Percenter Rap


• Patrick R. Warfield (2003)
"Salesman of Americanism, Globetrotter, and Musician": The Nineteenth-Century John Philip Sousa, 1854-1893


• Judith Barger (2002)
"Ladies Not Eligible"?: Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century London


• Lyle Neff (2002) (lneff@udel.edu)
Story, Style, and Structure in the Operas of César Cui


• Daria A. Depa (2001)
Wagner and Musikpolitik in the Weimar Republic: Re-appropriations and Re-evaluations


• Fredrick A. Tarrant (2000)
John Blow's Verse Anthems with Organ Accompaniment


• Chris Smith (christopher.smith@ttu.edu) (1999)
"I can show it to you better than I can explain it to you": Analyzing Procedural Cues in African-American Musical Improvisations


• Andreas Giger (agiger1@lsu.edu) (1999)
The Role of Giuseppe Verdi's French Operas in the Transformation of His Melodic Style


• Jean Hoover (1999)
Constructions of National Identities: Opera and Nationalism in the British Isles


• René Mario Ramos (1997)
The Symphonies of Gaetano Brunetti (ca. 1744-1798)


• Susan E. Richardson (1997)
Defining a Place for Composers: The Early Histories of the American Composers Alliance and American Music Center, 1937-1950


• Nancy Kinsey Totten (1997)
The English Victorian Drawing-Room Ballad: A Product of Its Time


• Luminita Florea Aluas (1996)
The Quatuor Principalia Musicae: A Critical Edition and Translation, with Introduction and Commentary


• Mara Emily Parker (1995)
Soloistic Chamber Music at the Court of Friedrich Wilhelm II: 1786-1797


• Julie Schnepel (1995)
The Critical Pursuit of the Great American Symphony: 1893-1950


• Karen McGaha Bryan (1994)
An Experiment in Form: The Reform Operas of Saverio Mercadante


• Brian J. Hart (1994)
The Symphony in Theory and Practice in France, 1900-1914


• C. Matthew Balensuela (1993)
The Ars cantus mensurabilis mensurata per modos iuris: (Coussemaker's Scriptores 3, Anonymous V): An Introduction, Critical Text, and English Translation with Commentary


• Barbara Blanchard Hong (1992)
The Five Piano Concertos of Selim Palmgren: A Finnish Nationalist Meets the Challenge of the Twentieth Century


• James Cade Griesheimer (1990)
The Antiphon-, Responsory-, and Psalm-Motets of Ludwig Senfl


• Harold Briggs (1989)
Richard Wagner and American Music-Literary Activity from 1850 to 1920


• Claude K. Sluder (1987)
Music in New Harmony, Indiana, 1825-1865: A Study of the Music and Musical Activities of Robert Owen's Community of Equality (1825-1827) and Its Cultural Afterglow (1827-1865)


• Blake McDowell Wilson (1987)
Music and Merchants: The Laudesi Companies of Republican Florence, ca. 1270-1494


• Peter Marquis Alexander (1986)
The Chamber Music of Franz Anton Danzi: Sources, Chronology, and Style


• Paul W. Borg (1985)
The Polyphonic Music in the Guatemalan Music Manuscripts of the Lilly Library


• Fredric B. Johnson (1985)
Tartini's Trattato di musica secondo la vera scienza dell'armonio: An Annotated Translation and Consideration of Its Historical Significance


• Mary Sue Morrow (1984)
Concert Life in Vienna, 1780-1810


• Donald L. Caughill (1983)
A History of Instrumental Chamber Music in the Netherlands during the Early Baroque Era


• Mack Clay Lindsey III (1981)
Klosterneuberg, Augustinerchorherrenstift, Codices 69 and 70:Two Sixteenth-Century Choirbooks, Their Music, and Its Liturgical Use


• Vincent Justus Corrigan III (1980)
The Style of the Notre Dame Conductus


• Robert A. Green (1979)
Annotated Translation and Commentary of the Works of Jean Rousseau: A Study of Late Seventeenth-Century Musical Thought and Performance Practice


• Leonard M. Phillips (1979)
The Leipzig Conservatory: 1843-1881


• Carol Henry Bates (1978)
The Instrumental Music of Elizabeth-Claude Jacquet de la Guerre


• Paul Wathen Cox (1978)
Classic Guitar Technique and Its Evolution as Reflected in the Method Books ca. 1770-1850


• Alan Lloyd Kagan (1978)
Cantonese Puppet Theater: An Operatic Tradition and Its Role in the Chinese Religious Belief System


• Laura Youens (1978)
Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49150


• Terry E. Miller (1977)
Kaen Playing and mawlum Singing in Northeast Thailand


• Ronald F. Cole (1975)
Music in Portland, Maine, from Colonial Times through the Nineteenth Century


• Dewey Wayne Howard (1975)
The Kauthuma, Ranayania, and Jaiminiya Schools of Samavedic Chant


• Roy V. Magers (1975)
Aspects of Form in the Symphonies of Charles E. Ives


• Lawrence A. Oncley (1975)
The Published Works of Alexander Zemlinsky


• Richard James White (1975)
The Battre Fascicle of the Trent Codex 87


• Lee E. Eubank (1974)
Spanish Intabulations in the Sixteenth Century


• J. Evan Kreider (1974)
The Masses for Five and Six Voices by Pierre de la Rue


• Ronald L. Miller (1974)
The Musical Works of Marbriano de Orto: Transcription and Commentary


• David Clifford Nichols (1974)
Francisco Delgado and Classicism in Mexican Music as Exhibited in the Missa a Quatro Voces


• Hugh M. Birmingham (1973)
Schedel's Song Book and Its Role in the Development of the German Tenor Song


• Mary Matilda Gaume (1973)
Ruth Crawford Seeger: Her Life and Works


• Marlene Joan Langosch (1973)
The Instrumental Chamber Music of Bernhard Heiden


• Richard D. Leppert (1973)
Musical Instruments and Performing Ensembles in Flemish Paintings of the Seventeenth Century


• Robert Burgess Lynn (1973)
Renaissance Organ Music for the Proper of the Mass in Continental Sources


• Wilbur R. Maust (1973)
The Symphonies of Anthony Philip Heinrich Based on American Themes


• Michael D. Williams (1973)
The Violin Concertos of Rodolphe Kreutzer


• Nancy M. van Deusen (1972)
An Historical and Stylistic Comparison between the Graduals of Gregorian and Old Roman Chant


• Jerry Haller Etheridge (1972)
The Works of Johannes de Limburgia


• William R. Perryman (1972)
Walter Damrosch: An Educational Force in American Music


• John Edward Druesedow Jr. (1971)
The Missarum Liber (1703) of José de Torres y Mart?nez Bravo (1665-1738)


• Gordon Kay Greene (1971)
The Secular Music of Chantilly Manuscript, Musée Condé 564 (olim 1047)


• William Thomas Hopkins (1971)
The Short Piano Compositions of Max Reger (1873-1916)


• Joe Melvin Zimmerman (1971)
The Psalm Settings and Anthems of William Child (1606-1697)


• Harry Elzinga (1970)
The Sacred Choral Compositions of Pavel Gregoryevich Chesnokov (1877-1944)


• Donald E. Marcase (1970)
Adriano Banchieri, L'organo suonarino: Translation, Transcription, and Commentary


• William Richard Shindle (1970)
The Madrigals of Giovanni de Macque


• Milton Allen Swenson (1970)
The Four-Part Italian Ensemble Ricercar from 1540 to 1619


• Mildred Katherine Ellis (1969)
The French Piano Character Piece of the Nineteenth and Early Twentieth Centuries


• Robert Edward Gerken (1969)
The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35


• John Waldorf Wagner (1969)
James Hewitt: His Life and Works


• Norman Kirt Nunamaker (1968)
The Virtuoso Violin Concerto before Paganini: The Concertos of Lolli, Giornovicchi, and Woldemar (1750-1815)


• David Alden Sheldon (1968)
The Chamber Music of Johann Friedrich Fasch


• Theodore McKinley Jennings Jr. (1967)
A Study of 503 Versos in the First and Second Volumes of Antonio Martín y Coll's Flores de Musica


• Donna Kay Anderson (1966)
The Works of Charles Tomlinson Griffes: A Descriptive Catalogue


• Robert Gordon Campbell (1966)
Johann Gottfried Müthel, 1728-1788


• Jean Elizabeth Knowlton (1966)
Some Dances of the Stuart Masque Identified and Analyzed


• Byron A. Wolverton (1966)
Keyboard Music and Musicians in the Colonies and United States of America before 1830


• Carl Reginald Morey (1965)
The Late Operas of Alessandro Scarlatti


• Jaroslav Mrácek (1965)
Seventeenth-Century Instrumental Dances in Uppsala, University Library IMhs 409: A Transcription and Study


• Donald D. Colton (1964)
The Conducti of Ms. Madrid 20486


• Carl Earl Forsberg (1964)
The Clavier-Violin Sonatas of W. A. Mozart


• Wyatt Marion Insko (1964)
The Cracow Tablature


• Clare Grill Rayner (1963)
A Little-Known Seventeenth-Century Composer, Christopher Gibbons (1615-1676)


• Helen Margaret Smith (1963)
F. M. Veracini's Il Trionfo della prattica musicale


• Samuel Emmons Brown Jr. (1962)
The Motets of Ciconia, Dunstable, and Dufay


• Barton Hudson (1961)
A Portuguese Source of Seventeenth-Century Iberian Organ Music: MS 1577, loc. B, 5, Municipal Library, Oporto, Portugal


• Hadley Yates (1961)
A History of the Cadence in Polyphonic Vocal Music through the Fifteenth Century


• Maurice Brooks Haynes (1960)
The Keyboard Works of Bernardo Pasquini (1637-1710)


• Edward Joseph Pease (1960)
An Edition of the Pixérécourt Manuscript: Paris, Bibliothèque Nationale, fonds fr. 15123


• John David Robinson (1959)
The Vocal Canon of the Classical Era


• Arnold Salop (1959)
The Masses of Jacob Obrecht (1450-1505), Structure and Style


• Dominique-René DeLerma (1958)
Wolfgang Amadeus Mozart: The Works and Influences of His First Ten Years


• Donald M. McCorkle (1958)
Moravian Music in Salem: A German-American Heritage


• Miriam Karpilow Whaples (1958)
Exoticism in Dramatic Music, 1600-1800


• Klaus Speer (1956)
A Portuguese Manuscript of Keyboard Music from the Late Seventeenth Century: MS No. 1607, loc. G, 7, Municipal Library, Oporto, Portugal


• Roy Hart Jesson (1955)
Ambrosian Chant: The Music of the Mass


• Mildred Jane Johnson (1955)
The Motets of the Codex Ivrea


• Carol Cook MacClintock (1955)
The Five-Part Madrigals of Giaches de Wert


• Frederick T. Wessel (1955)
The Affektenlehre in the Eighteenth-Century


• Paul Edward Mueller (1954)
The Influence and Activities of English Musicians on the Continent during the Late Sixteenth and Early Seventeenth Centuries


• Bruno Nettl (1953)
American Indian Music North of Mexico: Its Styles and Areas


• Donald Ira Sonnedecker (1953)
Cultivation and Concepts of Duets for Four Hands, One Keyboard, in the Eighteenth Century


• Don Lee Earl (1952)
The Solo Song-Cycle in Germany (1800-1850)


• Joseph Nathan Garton (1952)
The Thesaurus harmonicus of J. B. Besard 1603


• John Reeves White (1952)
Music of the Early ltalian Ars nova (ca. 1325-1375)

Recent Graduates of the Joint Master's Program in Musicology and Library Science

• Mona Seghatoleslami, M.A., M.L.S. (2007) (mseghatoleslami@wvpubcast.org)
• Sara Beutter, M.A., M.L.S. (2005) (sara.j.beutter@vanderbilt.edu)
• Alisa Rata, M.A., M.L.S. (2003) (arata@smu.edu)
• Eytan Uslan, M.A., M.L.S. (2003) (emuslan@gmail.com)
• John Anderies, M.A., M.L.S. (2001) (janderie@haverford.edu)