Roster of Participants
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"Music and the Written Word"
Presented by The Graduate Theory Association
Program of Activities, Saturday February 24th
All events take place in Ford-Crawford Hall
8:00-9:00 Free Continental Breakfast (Ford-Crawford Hall Foyer)
Morning Sessions
9:00-10:30am “Patterns of Interaction: Cognitive Approaches”
Sara Bakker, Session Chair
Timothy Best (Indiana University), "Intertexuality and the Surreal in Bernard Rands’s Canti Lunatici" Abstract
Anders Tobiason (University of Wisconsin, Madison), "Musical Consciousness: Understanding 'Hör’ ich das Liedchen Klingen'" Abstract
Brad Osborn (University of Washington), "Multi-Level Concept Mapping (MCM) of Quotation in Berio’s Sinfonia III" Abstract
10:30-10:45am Break
10:45am-12:15pm “Genre and Particularity”
Lara Langeneckert, Session Chair
Daniel Stevens (University of Michigan), "Between 'Cycle' and 'Collection': Brahms’s 'Song-Bouquets' and the Problem of Genre" Abstract
Jeff Perry (Louisiana State University), "Schubert’s Scena Lieder and the Question of Monotonal Unity" Abstract
J. Kent Williams (University of North Carolina, Greensboro), "The 'Plagal Sigh': A Neglected Gesture in Popular Songs of the Golden Era" Abstract
12:15-2:00pm Lunch at area restaurants
Afternoon Sessions
2:00pm-3:45pm “Paradigms in Text/Music Relations,” Invited Speaker Session
Daniel Arthurs, Session Chair
Massimo Ossi (Indiana University), “On the Uncertain Intellectual Foundations and Tangled Meanings of the Term "seconda pratica" Abstract
Kyle Adams (Indiana University), “Case Studies in the Music/Text Relationship in Rap” Abstract
Marianne Kielian-Gilbert (Indiana University), "Britten's Phaedra, Op. 93: Connections Behind and Between the Lines" Abstract
3:45-4:00pm
Break
4:00-5:30pm Panel Discussion, "Words and Music: Can This Marriage Work?"
Frank Samarotto (Indiana University), moderator
Deborah Stein, Kevin Korsyn, Susan Youens, Massimo Ossi, Robert Green, Robert Hatten, Marianne Kielian-Gilbert
5:30-7:30pm Dinner at area restaurants
Evening Sessions
7:30pm-8:30pm Keynote Address
Trina Thompson, Session Chair
Deborah Stein, “The Lied as Fragment: Text, Temporality, and Tonal Palette” Abstract
8:30pm Recital of works discussed throughout the weekend. Click here for program.
Featuring: Alan Bennett, Hye-Seon Choi, Marietta Simpson, Emile Naoumoff, Robert Hatten, Anders Tobaison, Wolodymyr Smishkewych, Robert Green, and members of Pro Arte.
9:30pm Concluding Reception, IU International Center
Last Updated:
20 February 2007
http://theory.music.indiana.edu/gta/schedule23.htm
Comments: tcbest@indiana.edu
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of Indiana University