LentheLessons


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Prelude


Barat
Andante et Allegro



David
Konzertino




Rimsky-Korsakov Concerto



Guilmant
Morceau Symphonique



















































































































































































 

 

 

 

 

Andante et Allegro

J. Ed. Barat (1882-1963)

 

General Preparation

Click here to go directly to
Lesson 1 - Beginning to practice
Lesson 2 - Technical twists
Lesson 3 - The phrases

Lesson 4 - Hyper what?

 

Opening of piece
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Best known through his several compositions for solo winds and orchestra, Joseph Edouard Barat studied music in Paris with Paul Vidal and Emile Pessard. His affinity for wind music was partially influenced through his work as a bandmaster with the French Army.

Allegro, opening
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Andante et Allegro for Trombone and Piano (Orchestra) was composed for the annual trombone competition at the National Conservatory in Paris in 1935, and dedicated to Professor Henri Couillaud. The beautifully lyrical Andante provides wonderfully expressive phrasing opportunities while challenging the trombonist with quick and agile yet soft and legato figures. The contrasting Allegro gives vent to the brilliant, virtuosic possibilities of the instrument.

End of piece
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Chances are, you have already played at the piece somewhat. That's fine - and normal. One usually test-drives a car before reading the owner's manual! But, it is important to step back now and look at the overall picture, preparing and informing yourself about the piece at hand.

Take the score (piano part with solo line) and read through it like you would read through your newspaper in the morning, looking for highlights, points of interest, scandals, sensations, etc.
Study the piano part. Think about it: the piano part is at least two thirds of the music. You should know it very well. Even if you cannot play the piano, learn the part in your head. Imagine an actor trying to learn his lines without knowing the lines of the other characters! Get a feel for the support - both rhythmical and tonal - that the piano offers for the soloist. Also, appreciate the role that the piano part plays in your piece, the dialogue that develops as well as the build up and release of musical tension couched in the flow of rich harmonies that are a hallmark of this piece.

Learn other music of this period and style. Other related pieces in the trombone repertoire include:

Alexandre Guilmant - Morceau Symphonique, opus 88
Camille Saint-Saens - Cavatine, opus 144
Joseph-Guy Ropartz - Piece in E-flat major
Philippe Gaubert - Morceau Symphonique
Carlos Salzedo - Piece Concertante, opus 27

From the further instrumental, choral, and orchestral repertoire, listen to - and learn to enjoy - works from composers such as Faure, Saint-Saens, Debussy, Massenet, Gounod, and others. We should be striving to be well-rounded and informed musicians, not just trombone operators!

 

Prepare the part

Using a pencil, number the bars by counting from the beginning and writing the measure number at the start of each line. If you have done this correctly, then you should have 170 total measures. The Allegro starts at measure 60. The piece totals 170 bars.

Poco piu vivo = m. 10
Piu Vivo = m. 21
Allegro = m. 60
Piu lento = m. 89

Next, familiarize yourself with the musical terms used in the piece. Use a music dictionary, and look up the words, Lent (Lento), Poco piu vivo, piu lento, etc." "Io To" and "To Io" are abbreviations for "Tempo I". There are handbook-sized music dictionaries available that you can keep in your instrument case. The best reference work in the world will not help if you don't use it! While you are online, you may find the Virginia Tech Multimedia Music Dictionary helpful.

 

Fun aside 

Given the title, "Andante et Allegro", look for the andante…

 

And now, on to the lessons

Lesson 1 - Beginning to practice
Lesson 2 - Technical twists

Lesson 3 - The phrases

Lesson 4 - Hyper what?